A well-constructed, compelling addition to an ongoing time-travel tale.
McClimans (Time Underground, 2015, etc.) returns to the time-traveling adventures of teens Kristi Connors and Ty Jordan in this third volume of his YA sci-fi series.
At George Washington Prep, seventh-grader Kristi is annoyed at having to share a room with her younger, bratty stepsister. To make matters worse, she misses her classmate and best friend, Ty, whom she last saw back in 1858; they’d taken a time machine to the days of the Underground Railroad to help her ancestor gain his freedom. Ty decided to remain in the past, where he, too, lives with a sibling of sorts: his much older twin, Thomas (it makes sense in context). When Kristi begins learning about the Civil War in school—a conflict in which 700,000 men died—she realizes that the war was only a couple of years into Ty’s future when she left him. She goes to Thomas’ farm, now a museum dedicated to the Underground Railroad, and is horrified to discover a grave on the property: “Ty Jordan / Born September 19, 1847 / Died September 17, 1862 / Beloved Brother, / Youngest Surgeon in the Union Army.” Back in the past, the novel follows Ty’s attempts to serve his country, not as a soldier but as a doctor. It’s a journey that will take him from the hospitals of Washington, D.C., to his inevitable death at the Battle of Antietam. Inevitable, that is, unless Kristi and her time machine can do something about it. Fans of the series will appreciate this latest entry, which tackles perhaps the most tumultuous American epoch of them all. McClimans alternates between Kristi’s and Ty’s perspectives to tell his story of two friends trying to stop each other from becoming casualties in the nation’s bloodiest war. He writes in a sharp, energetic prose (“Kristi Connors lunged to catch a rolling can of Coca-Cola as it spread a fizzling brown wave across her desktop”), and the novel’s quick pace and unusual chronology make for an engrossing read. The book also isn’t afraid to dive into the grittiness of the period—the political divisions that tear communities apart, the horrors of warfare, and the brutality of contemporary surgical practices—and yet it also manages to remain lively and fun.
A well-constructed, compelling addition to an ongoing time-travel tale.Pub Date: Nov. 2, 2016
ISBN: 978-1-937997-73-1
Page Count: 176
Publisher: Overdue Books
Review Posted Online: Dec. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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