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HUMAN ERROR

Breakdowns in personal relationships and the possibility of lapses in judgment by those at the controls of high-tech jetliners provide some engrossing conflicts in a first-rate debut novel from pilot Casey, now a captain with American Airlines. Nation Air Lines Flight 555 is bound from New York to Paris on a stormy night when Captain Hugo Price, confronted with indications of an engine problem and reports of turbulent weather over the North Atlantic, makes a command decision to take the jetliner back to JFK. On its final approach, however, Flight 555 slams into the rain-swept runway from an altitude of 50 feet, and 45 of 192 passengers lose their lives. Seriously injured himself, Hugo has plenty of time to reflect on whether the fatal accident was at least partially his fault. He also ponders a failed marriage to the vindictive Lydia, and the agreeable romance he's having with Sarah McClure, who was serving as his first officer the night of the wreck. Meantime, federal investigators are delving into the causes of the crash while a host of interested parties—the carrier, its vendors, Hugo's union, regulators, and ground personnel—maneuver to limit their liabilities. Although absorbingly detailed testimony at a formal NTSB inquiry suggests that an unusual mechanical failure and wind shear were the principal reasons for the crackup, Hugo's private affairs are subjected to indecently close examination; in the wake of the hearing, the FAA grounds him for six months on a technicality. Shortly before his suspension is to end, though, he satisfies Nation's chief pilot that he's fit to fly again during a dramatic simulator session. Concurrently, he endures yet another proceeding, one that makes hateful Lydia the ex-Mrs. Price and allows Hugo to make a fresh start with Sarah. A smooth flight of fancy for Casey, who displays a real flair for portraying mistake-prone adults facing the consequences of their actions in the air and on the ground.

Pub Date: Dec. 1, 1996

ISBN: 0-312-14622-1

Page Count: 272

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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