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WE'RE ALL IN THIS TOGETHER...

SO MAKE SOME ROOM

Papa delivers another relatably witty collection.

Brief essays on the art of being human.

In his third book, Papa offers more humorous, sympathetic, and humane personal anecdotes to show that survival in a world of changing institutions, challenged human rights, and digital isolation comes down to understanding one’s humanity and finding “new ways to connect” with others. Like most people, the author grew up wanting only to “blend in and be normal.” However, in the words of his grandmother, “there’s no such thing as normal. Everybody’s a mess.” That quirkiness, notes the author, combined with “a certain amount of rude self-interest,” is very much at the heart of everyday problems people face whenever they encounter other humans. With tongue firmly in cheek, Papa writes, the “same people who make life intolerable for everyone at home actually go out into the world, work in office buildings, run for office and drive around in police cars.” Even after a deadly global pandemic, though, human behavior seems not to have changed: People—like the woman Papa watched “sneezing into her hands and wiping it on her stretchy jeans” in an airport—are just as lacking in manners and consideration as they ever were. One thing that redeems the messiness of life is laughing at human foibles, which in turn sparks “joy and connection” with others. The other is an awareness of the regrets that accumulate over past mistakes. For Papa, regrets are actually a sign of health and an indicator that “you have evolved into a person who knows better” and can connect with others in more positive ways. Papa’s latest book is sure to appeal to his fans as well as anyone who appreciates understated humor that probes the nature of the human condition. Chapter titles include “Cats—Ancient Menace,” “There’s No Cure for a Hangover,” and “Regrets? I Have a Bunch.”

Papa delivers another relatably witty collection.

Pub Date: June 6, 2023

ISBN: 9781250280091

Page Count: 256

Publisher: St. Martin's

Review Posted Online: April 4, 2023

Kirkus Reviews Issue: May 1, 2023

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WHEN WE SEE YOU AGAIN

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Remembering “Hershy.”

Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Pub Date: April 21, 2026

ISBN: 9798217198009

Page Count: 288

Publisher: Random House

Review Posted Online: April 21, 2026

Kirkus Reviews Issue: June 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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