There's nothing arbitrary about Piazza's debut collection of 12 stories, arranged in imitation of a standard 12-bar blues. His characters range across the American landscape and capture the sad notes in their disparate voices. Piazza's casual artistry stomps the blues away in these singularly American stories that confront the bugaboos of race and class without any of the usual multiculti platitudes. ``C.S.A.'' saves its wallop for the last sentence, in a tale of Jewish northerners who freak out over the Nazi regalia on sale in a Memphis memorabilia shop. Similarly, ``A Servant of Culture'' unravels some of the knotty relations between blacks and Jews in the record business, a complex founded on guilt, resentment, anger, and a love of music. The successful Mexican fisherman in ``Port Isabel Hurricane'' wishes the impending storm would wipe away his comfortable bourgeois life so that he could pursue his affair with a Jewish English professor from Boston. Many of Piazza's lonesome travellers take to the road when love goes sour, but his native wandering is strictly post-Beat, antiromantic stuff: The narrator of ``Brownsville,'' lamenting his loveless state in a New Orleans cafe, hopes to erase the slate in Texas; a similar male suffering from a failed romance hopes to cleanse himself in the waters off Daytona Beach, only to have his car break down in nowhere Florida. The deep melancholy of Piazza's tired Americans comes through in ``Burn Me Up,'' a meditation on a Jerry Lee Lewis-like performer, full of hellfire and redemption, and his uneasy relation to his loving fans. Among other moody and atmospheric pieces, ``Responsibility'' stands out for its melancholic verisimilitude, tapping straight into the truth of growing up and assuming the burden of being alive. The desire for a brand-new start, the celebration of rootlessness, the coastal drifting: Piazza's American dreaming is lyrical and hard-earned, full of the kind of details and emotional realism that resonate long after you put the book down.
Pub Date: Feb. 1, 1996
ISBN: 0-312-13934-9
Page Count: 208
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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