Lyrical, ghastly, first-class horror.
Who’d want to miss a rat-ridden backwater southern swamp novel with triplets joined at the frontal lobe to one massive ten-pound brain, each brother with his own identity and yet using the one brain to carry on psychic spitspat with each other?
Three throats, three bodies to be fed, but only one voice, with each triplet speaking one syllable or word at a time: malicious Sebastian, regretful Jonah, and lovewild Cole, who nonetheless at times speaks hideously. Dodi Coots, daughter of conjure woman Velma Coots, has been traded to the family in return for older brother Thomas’s digging screwworms out of the ears of Velma’s cows. Dodi sleeps at the foot of the triplets’ bed and cares for their bedpans and other needs—all rather Faulknerian? Caretaker Thomas tells their story. The triplets and Thomas own The Mill and are the richest folks in Pott County’s Kingdom Come, where they’re cursed and revered; however, their father suicided into The Mill’s machinery—or did he?—rather than face life in their “gorgeous antediluvian mansion,” as it’s described by Sarah, a young filmmaker making a student production about the triplets with her cameraman Fred. In the eyes of God, Thomas was truly married to Maggie, with whom he has never shared a kiss, at age nine, by Drabs Bibbler, a black boy now Thomas’s best friend. Drabs has the gift and epileptic curse of tongues, which always comes over him after twenty minutes with Thomas. Drabs, now 29 with five bastard kids, walks around naked and loves Maggie, while Jonah loves Sarah. And you won’t want to miss the flaming silver dead kid who walks around with skimmer dragonflies and mosquitoes on his eyes and mouth. Or the attic, always a nice place for the dead to snooze. You’ll want to know where the brothers’ lost mother is—and it’ll remind you of “A Rose for Emily.”
Lyrical, ghastly, first-class horror.Pub Date: May 6, 2003
ISBN: 1-892389-58-4
Page Count: 244
Publisher: Night Shade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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