by Tom Santopietro ‧ RELEASE DATE: Feb. 17, 2015
An enthusiastic close-up of movie history.
A celebration of a beloved movie.
Fans of The Sound of Music will find plenty to please them in Santopietro’s (The Godfather Effect: Changing Hollywood, America, and Me, 2012, etc.) history of the sweeping musical. In the 1950s, two German movies about the von Trapp family came to the attention of director Vincent Donehue, who imagined a Broadway version with Mary Martin in the role of Maria. After complicated negotiations with the German film company and Maria herself, Donehue signed Howard Lindsay and Russel Crouse to write the play and the renowned Rodgers and Hammerstein to produce an original score. The show opened on Nov. 16, 1959, won five Tony awards and ran for three years. Soon, 20th Century Fox optioned the story; William Wyler agreed to direct, replaced by Robert Wise when Wyler decided to move to another project; and Ernest Lehman was brought in to rewrite the script. Casting Julie Andrews for the starring role was not inevitable. Although a hit on Broadway, Andrews “was a completely unknown quantity on film,” scaring investors who wanted “a real movie star with box office clout.” With support from Wise and the composers, Andrews was offered the role and grabbed it. Among contenders to play Capt. von Trapp were Rex Harrison, David Niven, Peter Finch and even Bing Crosby. Wise, though, opted shrewdly for Christopher Plummer. During filming, Andrews was exemplary, exuding “nonstop good cheer” and endless patience with the “seven potentially scene-stealing children” in the cast. The author details the painstaking complexities of producing a big-budget extravaganza, reprising every song and dance step, and the considerable task of generating buzz about the movie before it opened. All those efforts paid off: Warmly received by critics (except for Pauline Kael), it earned 10 Oscar nominations and was the highest-grossing film of 1965.
An enthusiastic close-up of movie history.Pub Date: Feb. 17, 2015
ISBN: 978-1250064462
Page Count: 288
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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