by Tom Shone ‧ RELEASE DATE: Nov. 4, 2020
Fans of Nolan’s films will find this revealing book invaluable.
An up-close and personal look at one of Hollywood’s most successful directors.
In his latest, film historian and critic Shone wrote in close collaboration with Nolan (b. 1970), and their longtime friendship (they met in 2001, not long after Memento was released) provides him with unique access to the “most successful filmmaker to come out of the British Isles since Alfred Hitchcock.” This erudite book is packed with extensive, expansive discussions about Nolan’s films, all written or co-written by the director; insights into what he was trying to accomplish with each film; methodologies; and the movies, directors, books, art, architecture, and music that influenced him. Shone calls Nolan a “classicist” who prefers “to shoot every frame himself.” His films, writes the author, are “variations on a series of themes, repeated in different voices and keys, inverted, slowed down or sped up, creating an impression of ceaseless movement.” On Following, his first film, Nolan says he tried “to tell a story in something like three dimensions.” With Memento, he wondered: “Can you really make a movie backward?” For Shone, the “world’s first spoiler-proof movie” is like “Groundhog Day as written by Mickey Spillane.” Nolan believes that Insomnia, his first studio film with big-time actors (Al Pacino, Robin Williams, Hilary Swank) is the “most underrated” of all his films. His three Batman films, Nolan suggests, trace “what being Batman is costing Bruce Wayne,” and The Prestige, writes Shone, “is the “locus classicus of all his themes and concerns.” After the $1 billion box-office take for The Dark Knight, Nolan was free to do anything. He first had the idea for Inception when he was a student. The film, which broke all kinds of conventional notions of cinema, is “possibly Nolan’s greatest feat of structural engineering.” Interstellar “came from a very personal place,” and Dunkirk, notes Shone, “narrows as it proceeds, like a noose.” The author concludes that “Nolan’s films leave an echo whose reverberations are felt only once it is over.”
Fans of Nolan’s films will find this revealing book invaluable.Pub Date: Nov. 4, 2020
ISBN: 978-0-525-65532-9
Page Count: 416
Publisher: Knopf
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
Share your opinion of this book
by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
Awards & Accolades
Likes
85
Our Verdict
GET IT
New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Share your opinion of this book
More by Brandon Stanton
BOOK REVIEW
BOOK REVIEW
by Brandon Stanton photographed by Brandon Stanton
BOOK REVIEW
by Brandon Stanton ; photographed by Brandon Stanton
Awards & Accolades
Likes
32
Our Verdict
GET IT
New York Times Bestseller
by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
Awards & Accolades
Likes
32
Our Verdict
GET IT
New York Times Bestseller
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Share your opinion of this book
More About This Book
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.