An engrossing follow-up to Buffalo Soldiers (1996), the first in a series documenting the black experience in America's postCivil War military. Despite their age, Adrian and David Sharps (who served as youngsters with their sergeant major father in the Army's fin-de- siäcle campaigns throughout Cuba) are allowed to reenlist as officer candidates when the US enters WW I. Along with other young black men, the sons of Augustus (a proud veteran of the 10th Cavalry) and Selona (his strong-willed wife) encounter a discouraging amount of prejudice. Selona and Augustus temporarily leave the family home in Arizona to help their lads over the jumps at a segregated training camp in Des Moines. Posted as lieutenants to the 93rd Division's 372nd Infantry Regiment, the boys ship out for France in the spring of 1918. Upon landing in St. Nazaire, however, the combat-ready troops are lumbered with stevedoring duties on the local docks. Risking courts-martial, Adrian and David besiege the chain of command to secure a battlefield assignment for their men. Fighting Germans alongside a Foreign Legion unit, the Sharps brothers survive the quotidian shocks of trench warfare on the Western Front until the Meuse-Argonne offensive. During this bloody but decisive engagement, David loses his life and Adrian is gravely wounded (albeit not before winning a Croix de Guerre and DSC). Invalided back to the States minus his left arm, Adrian still has the battered sword Augustus presented to him. At the close, in 1943, Adrian passes the weapon on to his own son, who's home on leave after qualifying as an Army Air Corps pilot at Tuskegee Institute. A fine addition to the author's generation-spanning saga, which, without undue fanfare, offers object lessons in such virtues as fidelity, honor, and tradition as well as a full measure of pulse-pounding action. (Radio satellite tour)
Pub Date: Feb. 28, 1997
ISBN: 0-312-86040-4
Page Count: 320
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1997
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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