Better seen as a lengthy prose poem than a novel, this allusive, elusive little gem adds its own shadowy luster to the Nobel...
Abandonment, betrayal and loss are the somber themes of this latest exploration of America’s morally compromised history from Morrison (Love, 2003, etc.).
All the characters she sets down in the colonial landscape circa 1690 are bereft, none more evidently so than Florens, 16-year-old slave of Jacob Vaark and his wife Rebekka. Eight years earlier, Anglo-Dutch farmer and trader Jacob reluctantly took Florens in settlement of a debt from a Maryland landowner. Her own mother offered her—so as not to be traded with Florens’ infant brother, the girl thinks. (The searing final monologue reveals it was not so simple.) Florens joined a household of misfits somewhere in the North. Jacob was a poor orphan who came to America to make a new start; Rebekka’s parents essentially sold her to him to spare themselves her upkeep. The couple has shared love, but also sadness; all four of their offspring died in childhood. They take in others similarly devastated. Lina, raped by a “Europe,” has been cast out by her Native American tribe. Mixed-race Sorrow survived a shipwreck only to be made pregnant by her rescuer, who handed her over to Jacob. Willard and Scully are indentured servants, farmed out to labor for Jacob by their contract holders, who keep fraudulently extending their time. Only the free African blacksmith who helps Jacob construct his fancy new house—and who catches Florens’ love-starved eye—seems whole and self-sufficient, though he eventually falls prey to Florens’ raging fear of abandonment. Morrison’s point, made in a variety of often-melodramatic plot developments, is that America was founded on the involuntary servitude of blacks and whites, that the colonies are rife with people who belong nowhere else and anxiously strive to find something to hold onto in the New World. Gorgeous language and powerful understanding of the darkest regions in the human heart compensate for the slightly schematic nature of the characters and the plot.
Better seen as a lengthy prose poem than a novel, this allusive, elusive little gem adds its own shadowy luster to the Nobel laureate’s shimmering body of work.Pub Date: Nov. 14, 2008
ISBN: 978-0-307-26423-7
Page Count: 176
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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