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BELLINI AND THE SPHINX

Bellotto’s detective, less ironic and more earnest in his angst than his American counterparts, proves a compelling guide to...

Originally published in Portuguese in 1995, Bellotto’s series opener introduces Remo Bellini, a private eye in the tradition of Spade and Marlowe but distinctively Brazilian.

Bellini hates his first name. Born a twin, Remo has lived in the shadow of his brother, Romulo, who died at 2 days old. Since then, Romulo has always been the brother who would have been everything Remo isn’t: an obedient son, an academic success, a lawyer like his father, Tulio. Remo went to law school but hated practicing law, so now he works for Lobo Private Investigations. Like most private eyes, he spends a lot of time getting the goods on cheating spouses. So he’s intrigued when he catches a case that turns the formula on its head. Samuel Rafidjian, an eminent pediatric surgeon, wants to find an exotic dancer who worked at the Dervish, a strip club on São Paulo’s seedy Rua Augusta. After a six-month fling with the doctor, the woman abruptly disappeared, and Rafidjian is desperate to find her. No one at the Dervish admits to knowing the missing dancer. Manager Khalid Tureg says she never worked there and assures Bellini that he’ll never find her because “women are an illusion.” Meanwhile, Bellini finds himself awash in women: Dora Lobo, the boss who sends him on this crazy case; Camila and Dinéia, two dancers answering the missing woman’s description; Fatima, a prostitute who’s obsessed with him; Beatriz, the law student he’s obsessed with; even his mother, who calls him asking him to please make up with his stubborn father. The only woman who eludes him is the one he needs most urgently to find, Ana Cíntia Lopes, the mysterious object of Dr. Rafidjian’s sincere if misguided affection.

Bellotto’s detective, less ironic and more earnest in his angst than his American counterparts, proves a compelling guide to the passionate world of São Paulo.

Pub Date: Feb. 5, 2019

ISBN: 978-1-61775-662-7

Page Count: 224

Publisher: Akashic

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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MURDER ON THE ORIENT EXPRESS

A murder is committed in a stalled transcontinental train in the Balkans, and every passenger has a watertight alibi. But Hercule Poirot finds a way.

  **Note: This classic Agatha Christie mystery was originally published in England as Murder on the Orient Express, but in the United States as Murder in the Calais Coach.  Kirkus reviewed the book in 1934 under the original US title, but we changed the title in our database to the now recognizable title Murder on the Orient Express.  This is the only name now known for the book.  The reason the US publisher, Dodd Mead, did not use the UK title in 1934 was to avoid confusion with the 1932 Graham Greene novel, Orient Express.

 

Pub Date: Feb. 28, 1934

ISBN: 978-0062073495

Page Count: -

Publisher: Dodd, Mead

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: Feb. 1, 1934

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ARCHIE GOES HOME

The parts with Nero Wolfe, the only character Goldsborough brings to life, are almost worth waiting for.

In Archie Goodwin's 15th adventure since the death of his creator, Rex Stout, his gossipy Aunt Edna Wainwright lures him from 34th Street to his carefully unnamed hometown in Ohio to investigate the death of a well-hated bank president.

Tom Blankenship, the local police chief, thinks there’s no case since Logan Mulgrew shot himself. But Archie’s mother, Marjorie Goodwin, and Aunt Edna know lots of people with reason to have killed him. Mulgrew drove rival banker Charles Purcell out of business, forcing Purcell to get work as an auto mechanic, and foreclosed on dairy farmer Harold Mapes’ spread. Lester Newman is convinced that Mulgrew murdered his ailing wife, Lester’s sister, so that he could romance her nurse, Carrie Yeager. And Donna Newman, Lester’s granddaughter, might have had an eye on her great-uncle’s substantial estate. Nor is Archie limited to mulling over his relatives’ gossip, for Trumpet reporter Verna Kay Padgett, whose apartment window was shot out the night her column raised questions about the alleged suicide, is perfectly willing to publish a floridly actionable summary of the leading suspects that delights her editor, shocks Archie, and infuriates everyone else. The one person missing is Archie’s boss, Nero Wolfe (Death of an Art Collector, 2019, etc.), and fans will breathe a sigh of relief when he appears at Marjorie’s door, debriefs Archie, notices a telltale clue, prepares dinner for everyone, sleeps on his discovery, and arranges a meeting of all parties in Marjorie’s living room in which he names the killer.

The parts with Nero Wolfe, the only character Goldsborough brings to life, are almost worth waiting for.

Pub Date: May 19, 2020

ISBN: 978-1-5040-5988-6

Page Count: 248

Publisher: Mysterious Press

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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