A biography in verse pays homage to the life and art of Langston Hughes. “Little Boy Blues,” “First Grade,” and “Jim Crow Row” tell of Hughes’s childhood experiences with racism. “Grandma’s Stories” are about his ancestors’ courage in the days of slavery. His painful relationship with his father is told in “I Do Not Like My Father Much.” As the poems progress, they delve deeper into Hughes’s love of “endless, beautiful words,” his determination to discover “other voices and places,” and his joy in being part of the creative life that he finds among his people in Harlem, “the capital of my world.” All of the poems are in the first person, using Langston’s voice. Several of Medina’s poems directly and deliberately echo Hughes’s own work. “Grandma’s Stories” here corresponds with Hughes’s “Aunt Sue’s Stories,” while Medina’s “Sometimes Life Ain’t Always a Hoot” is the offspring of the famous “Mother to Son.” The poems are presented in chronological order, representing the stages of the poet’s life. They cannot and are not meant to be a complete biography. However, Medina’s introduction and detailed, biographical endnotes help to fill in some of the gaps. The whole work is brought to life by Christie’s remarkable, compelling illustrations, which perfectly complement each poem in content and mood. Christie also pays subtle homage to the African-American artists who have gone before him by incorporating hints of the styles of Horace Pippin and Jacob Lawrence in his illustrations. This is a treasure to be read and reread—a splendid work. (Poetry. 8-12)
Pub Date: Feb. 1, 2002
ISBN: 1-58430-041-8
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.
A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
Affecting and hopeful.
A stray dog finds her destiny amid the chaos of a Southern California wildfire.
Wombat is a small dog with stubby legs and “silly ears / that look like furry cookies”—almost impossibly cute in Bricking’s occasional pencil-style vignettes. She’s mastered the art of survival, so when a mysterious internal voice prods her to go toward the fire, she resists. “The wrong way is the right way. / The right way is the wrong way,” the voice insists. When she tells fellow stray Silas about it, he tells Wombat she’s a “destiny dog,” bound to “find their person / before their person / can find them.” Convinced, she decides to follow the mysterious instructions. Meanwhile, Henry, a boy who’s leery of dogs, loves the bats at the wildlife rehabilitation center where Mama Ro, a veterinarian, works; his Mama J is a librarian. Henry and Barnabas, a fruit bat at the center, are both uprooted by the fire, and their paths converge with Wombat’s at an emergency shelter. The third-person perspective shifts from character to character in clusters of free-verse poems that fully immerse readers in each one’s experiences in turn. This extra-concentrated delivery of Applegate’s typically spare writing proves effective, balancing terror and sadness with heart and humor. Henry has light brown skin, Mama Ro has curly black hair and brown skin, and Mama J presents white.
Affecting and hopeful. (Verse fiction. 8-12)Pub Date: May 5, 2026
ISBN: 9780063221178
Page Count: 304
Publisher: Storytide/HarperCollins
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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