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NINE KINDS OF NAKED

A step back after a promising debut. Hopefully Vigorito will put his poetic prose and expansive vision to more disciplined...

From Vigorito (Just a Couple of Days, 2007), another whimsical tale of time, space, coincidence and cause and effect.

The author displays most of the linguistic acrobatics and playful rumination that made his debut a cult classic. The plot, such as it is, jumps across centuries and features a motley assortment of fools and philosophers: Clovis, a ninth-century serf who unties a magical knot in a strap of leather, unleashing a world of enchanting gnomes; Dr. Rip Blossom, an “ob-gyn striptease fiend” obsessed with the performer Betty Boobs (aka Elizabeth Wildhack, a freewheeling stripper fascinated by the concept of synchronicity); Father J.J. Speed, who renounces the cloth to become the skilled dopehead-wrangler Special Agent Speed; and Diablo, a New Orleans–based street vendor and long-winded conversationalist who may or may not have an altar ego named Billy Pronto. In the tradition of Douglas Adams and Tom Robbins, much of the book is given over to philosophic musings about the connection among all things: “…all physical sensation was overwhelmed by the fundamental vibration of being, shining like the sun and chiming like a chorus of nightingales as her self-perception became nothing more than a kaleidoscopically unfurling column of love.” But Vigorito doesn’t offer the cohesion or acuity of Adams and Robbins, and many narrative strands are either dropped or overblown into repetitive dialogue about love, sex, joy, imagination, natural harmony, etc. What effect did Clovis’s actions have on the characters in the present? Was Elizabeth’s birth during a violent tornado in Normal, Ill., connected to her later meeting (and coupling) with Diablo, who experienced the very same storm? And how to explain the “Great White Spot,” a super-hurricane operating outside the normal principles of weather that’s hovering off the coast of New Orleans? These are only a few of the questions left unanswered in this sprawling, shaggy novel.

A step back after a promising debut. Hopefully Vigorito will put his poetic prose and expansive vision to more disciplined use in the future.

Pub Date: Oct. 1, 2008

ISBN: 978-0-15-603123-3

Page Count: 416

Publisher: Harvest/Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2008

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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