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RITES OF PASSAGE

Name: RITES OF PASSAGE
Author: Tonya Bolden
ISBN: 1-56283-688-3

STORIES ABOUT GROWING UP BY BLACK WRITERS FROM AROUND THE WORLD

edited by Tonya Bolden ‧ RELEASE DATE: Feb. 1, 1994

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Seventeen stories, of particular interest because of the high quality of their writing as well as for their diverse insights into growing up black. Most take place in the US, though Australia, Africa, Britain, and the Caribbean are also represented. Except for John Henrik Clarke's ``The Boy Who Painted Christ Black'' (1940) and two stories from the 60's, most are recent, and originally appeared in small magazines or story collections. As the title suggests, the theme is turning points in coming of age; the experiences are often colored by racism and—even more—by poverty, but such universal concerns don't overwhelm the individuality of, say, a young South African's first foray into proving himself to his peers (``The Test,'' by Njabulo Ndebele); a young American's ``wild contrition,'' in Eugenia Collier's ``Marigolds,'' after she has perversely protested the ugliness in her life by destroying a rare spot of beauty; or, in Howard Gordon's 1993 story, a bookish youth's abiding chagrin at learning that ``My Lucy,'' the girl he's idolized, is known for her promiscuity. A rich and rewarding assortment. Notes on the authors. (Short stories. 11+)

Pub Date: Feb. 1, 1994

ISBN: 1-56283-688-3

Page Count: 240

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1994

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
ROCK, ROSETTA, ROCK! ROLL, ROSETTA, ROLL!
by Tonya Bolden ; illustrated by R. Gregory Christie

- BOOK REVIEW
THE GREEN PIANO
by Roberta Flack with Tonya Bolden ; illustrated by Hayden Goodman

- BOOK REVIEW
GOING PLACES
by Tonya Bolden ; illustrated by Eric Velasquez

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A YEAR DOWN YONDER

From the Grandma Dowdel series , Vol. 2

by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000

Year-round fun.

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Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”

This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”

Year-round fun. (Fiction. 11-13)

Pub Date: Oct. 1, 2000

ISBN: 978-0-8037-2518-8

Page Count: 144

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2000

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
THE BEST MAN
by Richard Peck

- BOOK REVIEW
THE MOUSE WITH THE QUESTION MARK TAIL
by Richard Peck ; illustrated by Kelly Murphy

- BOOK REVIEW
SECRETS AT SEA
by Richard Peck illustrated by Kelly Murphy

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THE CLAY MARBLE

by Minfong Ho ‧ RELEASE DATE: Oct. 1, 1991

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Drawing on her experience with a relief organization on the Thai border, Ho tells the story of a Cambodian family, fleeing the rival factions of the 80's while hoping to gather resources to return to farming in their homeland. Narrator Dara, 12, and the remnants of her family have arrived at a refugee camp soon after her father's summary execution. At first, the camp is a haven: food is plentiful, seed rice is available, and they form a bond with another family- -brother Sarun falls in love with Nea, and Dara makes friends with Nea's cousin, Jantu, who contrives marvelous toys from mud and bits of scrap; made wise by adversity, Jantu understands that the process of creation outweighs the value of things, and that dead loved ones may live on in memory. The respite is brief: Vietnamese bombing disrupts the camp, and the family is temporarily but terrifyingly separated. Later, Jantu is wounded by friendly fire and doesn't survive; but her tragic death empowers Dara to confront Sarun, who's caught up in mindless militarism instigated by a charismatic leader, and persuade him to travel home with the others—to plant rice and build a family instead of waging war. Again, Ho (Rice Without Rain, 1990) skillfully shapes her story to dramatize political and humanitarian issues. The easily swayed Sarun lacks dimension, but the girls are more subtly drawn—Dara's growing courage and assertiveness are especially convincing and admirable. Touching, authentic, carefully wrought- -and with an unusually appealing jacket. (Fiction. 11-15)