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THE GRAY CITY

A discussion starter for readers who can look past the clunky writing.

In this Swiss import, translated from German, rudimentary color science and a few good friends help the new girl in town end a plague of grayness.

Robin—light-skinned and apparently preadolescent—stares at her new town and realizes that it’s devoid of color. In protest, Robin decides to wear her yellow raincoat everywhere. On her first day of school, that decision lands her in detention, where she meets brown-skinned Alani. They quickly become friends and resolve to resist the status quo. Robin encounters adult resisters who play music—outlawed along with color—and is menaced by a man all in gray. A fearful librarian loans Robin a book about color, inspiring a plan to transform the Gray City for the better. Robin, Alani, and the alienated musicians decide to sabotage a factory responsible for rendering everything gray. Oddly, as color returns, the children receive only a minimal reprimand from the factory managers, and not one citizen counter-protests. Relying more on telling than showing, the extremely short chapters are full of adverbs and awkward turns of phrase—perhaps because of translation issues. Nevertheless, suspense builds with each new scene—and, importantly, readers are treated to outstanding, detailed watercolor illustrations. Despite the somewhat clumsy prose, this story might work as a read-aloud in elementary or middle school classes that are being introduced to color theory; it could also spur conversation about conformity and societal norms.

A discussion starter for readers who can look past the clunky writing. (additional facts about colors) (Fiction. 8-11)

Pub Date: Sept. 17, 2024

ISBN: 9780735845541

Page Count: 64

Publisher: NorthSouth

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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ESCAPE FROM BAXTERS' BARN

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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