Cultural details rather than a strong storyline dominate, but this informative glimpse of Native Americans' successfully...

CHARLIE AND THE BLANKET TOSS

A young boy overcomes his anxiety about taking a celebratory flip in this brief but immersive look at modern Inupiat village culture.

Though Charlie’s feelings about the toss—a traditional activity of the Nalukataq, or Summer Whaling Festival—are mixed, he looks forward to much of the rest of the celebration. He loves the drumming, the dancing, the proud sharing out of the bowhead whale that his father and other whalers have harvested, and particularly the uqsrukuaqtaq (doughnuts), mikigaq (“fermented whale meat with blubber and tongue”), akutuq (“ice cream” made with caribou fat) and other delectable foods that have been laid out on tables behind a tall windbreak of plastic sheets. Brown supplies pronunciation guides and definitions either in context or in the appended glossary for the many Inupiaq words in her short narrative. Though very thinly applied colors give the illustrations a diaphanous look, Martinsen provides plenty of culturally specific visual details as well as lots of smiling, round faces. Buoyed by his grandmother’s tale of her own grandfather’s blanket toss as well as memories of his older brother’s, Charlie decides he’s ready. A wordless spread with Charlie flying high over the curve of the Earth, a whale spouting in the background and the community holding the blanket tight says it all.

Cultural details rather than a strong storyline dominate, but this informative glimpse of Native Americans' successfully blending new and old lifeways is valuable nevertheless. (afterword) (Picture book. 6-9)

Pub Date: Sept. 1, 2014

ISBN: 978-1-941821-07-7

Page Count: 32

Publisher: Alaska Northwest Books

Review Posted Online: July 29, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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The message is worthy, but this phoned-in follow-up doesn’t add anything significant.

THE WORLD NEEDS MORE PURPLE SCHOOLS

From the My Purple World series

A color-themed vision of what school should be like.

In what amounts to a rehash of The World Needs More Purple People (2020), Bell and Hart address adult as well as young readers to explain what “curious and kind you” can do to make school, or for that matter the universe, a better place. Again culminating in the vague but familiar “JUST. BE. YOU!” the program remains much the same—including asking questions both “universe-sized” (“Could you make a burrito larger than a garbage truck?”) and “smaller, people-sized” (i.e., personal), working hard to learn and make things, offering praise and encouragement, speaking up and out, laughing together, and listening to others. In the illustrations, light-skinned, blond-haired narrator Penny poses amid a busy, open-mouthed, diverse cast that includes a child wearing a hijab and one who uses a wheelchair. Wiseman opts to show fewer grown-ups here, but the children are the same as in the earlier book, and a scene showing two figures blowing chocolate milk out of their noses essentially recycles a visual joke from the previous outing. (This book was reviewed digitally.)

The message is worthy, but this phoned-in follow-up doesn’t add anything significant. (Picture book. 6-8)

Pub Date: June 21, 2022

ISBN: 978-0-593-43490-1

Page Count: 40

Publisher: Random House

Review Posted Online: April 27, 2022

Kirkus Reviews Issue: May 15, 2022

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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