A gripping crime tale that becomes as complicated as its main character.


A hit man finds no easy career exit in this Florida thriller.

Sunny Sarasota starkly contrasts with South’s (Suicide Tango, 2019, etc.) dark story, in which titular character Tommy Darlington works as a well-paid assassin hired by “unforgiving men with silent billions.” A former Army ranger and low-profile artist, Tommy initially has no problem with the deadly commissions he refers to as “taking out the trash.” His girlfriend, Rachel, a successful novelist, supports the couple, as publicly Tommy ekes out a living as a nighttime cabbie. Rachel knows nothing about her boyfriend’s deadly business or his ill-gotten gains that amount to millions, all of which he has hidden and earmarked to fund their retirement in Costa Rica. Witnessing a higher-up known as the Old Man feed Tommy’s bespoke-suited handler, Alfred, to a dozen alligators, the hit man has a change of heart about his line of work. The shift in his attitude is bad for business, and his employers take notice. Then Rachel disappears. Readers may feel an adrenalin rush as Tommy desperately tries to find her. There’s a disconnect between his incomprehension for his employers’ “casual disregard for human life” and his own sniper activities, although some kills bother him. Snuffing out an elegant older woman who heads a foundation that a dirty organization wants in its portfolio, Tommy cries along with the doomed victim. Fans of the award-winning television series Barry will find similarities between the show’s main character and Tommy, as both are damaged, military-trained hit men with a desire to change but seemingly no way to do so. Told primarily in the first person, the novel will elicit readers’ sympathies for Tommy’s impaired psyche as he works for men dealing in the “top three commodities in the world: firearms, drugs, and humans.” The author’s descriptions—be they sexy, humorous, or terrifying—are notable: for example, “she fragranced her way to the bedroom,” “his huge sausage fingers,” and “hollow eye sockets were illuminated by a deadlight that made me rocket-vomit and cough in rolling spasms.”

A gripping crime tale that becomes as complicated as its main character.

Pub Date: Nov. 1, 2019

ISBN: 978-1-944855-20-8

Page Count: 276

Publisher: Adagio Press

Review Posted Online: Sept. 20, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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