by T.T. Linse ‧ RELEASE DATE: Sept. 1, 2020
A powerful launch to a fresh SF series that promises a wealth of ingenious concepts.
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Three individuals in a spacefaring future—where people fluidly inhabit successive bodies—participate in a desperate rescue mission near Neptune.
Linse’s Mechalum Space series begins with this auspicious SF novel, initially a triptych that comes together in the fourth act. The 28th-century setting encompasses a space-straddling era of Homo mutatis. Humankind has mastered the technique of inserting a consciousness into a seemingly endless variety of prepared bodies, whether organically grown flesh-and-blood hosts or special-purpose mechs. Virtual immortality, artificial intelligence companions, and perpetual attachment to the descendant of the internet (“the mesh”) are part of this revolution. But the real payoff is the invention of “Faison Gates.” These allow inquisitive, adventurous, or just plain desperate minds to teleport instantaneously throughout 300 remotely settled planets and environments in deep space. But it’s hardly idyllic. A religious war (traditional religion lost, apparently) raged early in this new era, and a backward-looking Earth has been largely cut off and neglected ever since. And two “essents” trying to occupy the same body will result in the death of one of them, a known method of assassination. In such a nest of polymorphic intrigue, Jazari is a somewhat naïve student of “xenolinguistics” (trained to communicate with advanced alien races even though such direct contact has not yet happened). She was forced by circumstance into joining the talented and diverse crew of crime kingpin Zosi, a choice she ultimately regrets. On another distant world, scientist Eala studies a gentle amphibious species called the taktak, whose ability to communicate telepathically represents another possible breakthrough. And, on the rim of humanity’s original, now-obscure solar system, a biologically generated body, code-named ZD777, is revived, nurtured, and educated by an AI guardian only to be informed of his predicament: He is the lone man aboard a hollowed-out asteroid, formerly a teeming space base for the Kuiper belt, now a forgotten, derelict habitat slowly failing in orbit around Neptune.
The potential to rescue ZD777 from his apparently hopeless fate is the climax of the multiheaded narrative stream, and quite a nail-biter it becomes. (Whether those nails are human or metallic alloy is up for discussion.) Wyoming-based author Linse previously published books set in the hardscrabble American West of today and yesteryear but adapts to the final frontier of far-future space with no rocky trails or cowboy atavisms whatsoever. Some of the speculations here (especially concerning the nature of intelligence, biologically native or artificial) could have taught Isaac Asimov a thing or two. That said, tenderfeet to this universe will have to struggle initially with a density of imaginative futurespeak jargon and para-human traits (including the near-universal use of the pronoun sheto designate everyone; complete genderfluidity evidently does that to a society). Linse only provides the expected information downloads and history lesson expositions every 100 pages or so. But readers who can think on their feet and adapt to the altered paradigm of what it means to be human—or sentient—are in for an exciting and provocative expedition to a new realm of ideas that’s particularly strong in the characterization department. The novel ends with every indication that more riches remain to be tapped from Mechalum Space.
A powerful launch to a fresh SF series that promises a wealth of ingenious concepts. (author bio)Pub Date: Sept. 1, 2020
ISBN: 978-1-953694-00-3
Page Count: 472
Publisher: Salix
Review Posted Online: Jan. 6, 2021
Kirkus Reviews Issue: March 1, 2021
Review Program: Kirkus Indie
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by Ray Bradbury ‧ RELEASE DATE: June 15, 1962
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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by Ada Palmer ‧ RELEASE DATE: Oct. 19, 2021
Curiously compelling but not entirely satisfying.
The fourth and final volume in the Terra Ignota series, a science fantasy set on a 25th-century Earth where people affiliate by philosophy and interest instead of geography.
For the first time in centuries, the world is seized by war—once the combatants actually figure out how to fight one. While rivalries among the Hives provide several motives for conflict, primary among them is whether J.E.D.D. Mason, the heir to various political powers and apparently a god from another universe in human form, should assume absolute rule over the world and transform it for the better. Gathering any large group to further the progress of the war or the possibility for peace is hampered by the loss of the world transit system of flying cars and the global communications network, both shut down by parties unknown, indicating a hidden and dangerous faction manipulating the situation for its own ends. As events play out, they bear a strong resemblance to aspects of the Iliad and the Odyssey, suggesting the persistent influence of Bridger, a deceased child who was also probably a god. Is tragedy inevitable, or can the characters defy their apparent fates? This often intriguing but decidedly peculiar chimera of a story seems to have been a philosophical experiment, but it’s difficult to determine just what was being tested. The worldbuilding—part science, part magic—doesn’t really hold up under scrutiny, and the political structure defies comprehension. The global government consists of an oligarchy of people deeply and intimately connected by love and hate on a scale which surpasses the royal dynasties of old, and it includes convicted felons among their number. Perhaps the characters are intended as an outsized satiric comment on the way politicians embrace expediency over morality or personal feelings, but these supposedly morally advanced potentates commit so many perverse atrocities against one another it is difficult to engage with them as people. At times, they seem nearly as alien as J.E.D.D. Mason.
Curiously compelling but not entirely satisfying.Pub Date: Oct. 19, 2021
ISBN: 978-0-7653-7806-4
Page Count: 608
Publisher: Tor
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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