by T.T. Linse ‧ RELEASE DATE: Sept. 1, 2020
A powerful launch to a fresh SF series that promises a wealth of ingenious concepts.
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Three individuals in a spacefaring future—where people fluidly inhabit successive bodies—participate in a desperate rescue mission near Neptune.
Linse’s Mechalum Space series begins with this auspicious SF novel, initially a triptych that comes together in the fourth act. The 28th-century setting encompasses a space-straddling era of Homo mutatis. Humankind has mastered the technique of inserting a consciousness into a seemingly endless variety of prepared bodies, whether organically grown flesh-and-blood hosts or special-purpose mechs. Virtual immortality, artificial intelligence companions, and perpetual attachment to the descendant of the internet (“the mesh”) are part of this revolution. But the real payoff is the invention of “Faison Gates.” These allow inquisitive, adventurous, or just plain desperate minds to teleport instantaneously throughout 300 remotely settled planets and environments in deep space. But it’s hardly idyllic. A religious war (traditional religion lost, apparently) raged early in this new era, and a backward-looking Earth has been largely cut off and neglected ever since. And two “essents” trying to occupy the same body will result in the death of one of them, a known method of assassination. In such a nest of polymorphic intrigue, Jazari is a somewhat naïve student of “xenolinguistics” (trained to communicate with advanced alien races even though such direct contact has not yet happened). She was forced by circumstance into joining the talented and diverse crew of crime kingpin Zosi, a choice she ultimately regrets. On another distant world, scientist Eala studies a gentle amphibious species called the taktak, whose ability to communicate telepathically represents another possible breakthrough. And, on the rim of humanity’s original, now-obscure solar system, a biologically generated body, code-named ZD777, is revived, nurtured, and educated by an AI guardian only to be informed of his predicament: He is the lone man aboard a hollowed-out asteroid, formerly a teeming space base for the Kuiper belt, now a forgotten, derelict habitat slowly failing in orbit around Neptune.
The potential to rescue ZD777 from his apparently hopeless fate is the climax of the multiheaded narrative stream, and quite a nail-biter it becomes. (Whether those nails are human or metallic alloy is up for discussion.) Wyoming-based author Linse previously published books set in the hardscrabble American West of today and yesteryear but adapts to the final frontier of far-future space with no rocky trails or cowboy atavisms whatsoever. Some of the speculations here (especially concerning the nature of intelligence, biologically native or artificial) could have taught Isaac Asimov a thing or two. That said, tenderfeet to this universe will have to struggle initially with a density of imaginative futurespeak jargon and para-human traits (including the near-universal use of the pronoun sheto designate everyone; complete genderfluidity evidently does that to a society). Linse only provides the expected information downloads and history lesson expositions every 100 pages or so. But readers who can think on their feet and adapt to the altered paradigm of what it means to be human—or sentient—are in for an exciting and provocative expedition to a new realm of ideas that’s particularly strong in the characterization department. The novel ends with every indication that more riches remain to be tapped from Mechalum Space.
A powerful launch to a fresh SF series that promises a wealth of ingenious concepts. (author bio)Pub Date: Sept. 1, 2020
ISBN: 978-1-953694-00-3
Page Count: 472
Publisher: Salix
Review Posted Online: Jan. 6, 2021
Kirkus Reviews Issue: March 1, 2021
Review Program: Kirkus Indie
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by Annalee Newitz ‧ RELEASE DATE: Aug. 5, 2025
Effectively both heartwarming and pointed.
In this semicozy tale set in a dystopian near future, robots open their own restaurant, build an unusual found family, and achieve personal growth.
A few years after the war that led to California’s secession from the United States, four robots awake in the flooded San Francisco takeout place where they were contracted to work, abandoned by the restaurant owners, who skipped town to avoid fraud charges. Needing to pay off their contracts and seeking a purpose, they decide to reopen as a noodle shop, even though their limited civil rights mean what they’re doing isn’t entirely legal. Why is it so important to make tasty food when robots can’t eat? To what degree should they pander to human comfort to make this place a success, and more seriously, prevent the authorities from noticing that robots are running a restaurant without human supervision? As they confront these weighty issues as well as the logistics of developing their enterprise, an online review-trolling campaign from “robophobes” threatens to downgrade them out of business. On the surface, this novella could be viewed as the SF equivalent of Travis Baldree’s cozy fantasy Legends & Lattes (2022), about an orc’s quest to establish a coffee shop. But this richly flavored bowl of noodles offers additional toppings, such as edgy social commentary about climate change, PTSD, and the ways in which social media and apps like Yelp and DoorDash gatekeep restaurant publicity, ratings, and sales, creating a distorted depiction of a business with little resemblance to its physical reality. The robots also serve as a metaphor for transgender people specifically and minorities in a general sense, as the story explores the uneasy balance between attempting to assimilate to get along and trying to feel at ease in one’s own body and personhood.
Effectively both heartwarming and pointed.Pub Date: Aug. 5, 2025
ISBN: 9781250357465
Page Count: 160
Publisher: Tordotcom
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Margaret Atwood ‧ RELEASE DATE: Sept. 10, 2019
Suspenseful, full of incident, and not obviously necessary.
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Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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