A head-spinning tour through the corridors of history and popular culture, and one of this sly entertainer’s liveliest yet.
An experience of “retrograde amnesia” stimulates journeys into both the darkened past and the undisclosed future—in the celebrated Italian polymath’s fifth erudite doorstopper (Baudolino, 2002, etc.).
Sixtyish book dealer Giambattista (“Yambo”) Bodoni awakens in a Milan hospital after a heart attack that has erased all memory of his own life while leaving every scrap of every book, comic strip, pop song, movie and the like he has ever experienced perfectly intact. This splendid premise yields rich comedy in early pages that describe Yambo’s bemused return to the home and family he no longer recognizes. Complications multiply when his wife Paola (a highly intelligent psychologist) persuades Yambo to retreat to Solaro, the country home owned by his grandfather (also a bookseller), where Yambo spent much of his childhood. Rummaging through old books and newspapers, letters, photographs, school notebooks and other memorabilia, Yambo retrieves details that partially explain his lifelong fascination with the phenomenon of fog and the concept of the “mysterious flame” that, he senses, quickens his imagination—and is “reminded” of Lila Saba, the girl he first loved. Then Eco throws things into another gear, as a “second incident” puts Yambo back in hospital, and into a coma in which his memory returns. We learn how he grew up in “Il Duce’s” Italy, forsaking a religious conversion for the promises of sex, and surviving a perilous wartime adventure every bit the equal of his storybook heroes’ exploits. Finally, attended by all the figures who graced his reading and dreaming, Yambo prepares himself for his reunion with Lila Saba. This charming story’s considerable self-indulgence is largely vitiated by dozens of wonderful period illustrations, the fun of trying to recognize numerous mangled literary and subliterary quotations, and its protagonist’s ebullient (however damaged) sensibility.
A head-spinning tour through the corridors of history and popular culture, and one of this sly entertainer’s liveliest yet.Pub Date: June 1, 2005
ISBN: 0-15-101140-0
Page Count: 464
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping...
When the newly elected Vice President’s life is threatened, the Secret Service runs to nomadic soldier-of-fortune Jack Reacher (Echo Burning, 2001, etc.) in this razor-sharp update of The Day of the Jackal and In the Line of Fire that’s begging to be filmed.
Why Reacher? Because M.E. Froelich, head of the VP’s protection team, was once a colleague and lover of his late brother Joe, who’d impressed her with tales of Jack’s derring-do as an Army MP. Now Froelich and her Brooks Brothers–tailored boss Stuyvesant have been receiving a series of anonymous messages threatening the life of North Dakota Senator/Vice President–elect Brook Armstrong. Since the threats may be coming from within the Secret Service’s own ranks—if they aren’t, it’s hard to see how they’ve been getting delivered—they can’t afford an internal investigation. Hence the call to Reacher, who wastes no time in hooking up with his old friend Frances Neagley, another Army vet turned private eye, first to see whether he can figure out a way to assassinate Armstrong, then to head off whoever else is trying. It’s Reacher’s matter-of-fact gift to think of everything, from the most likely position a sniper would assume at Armstrong’s Thanksgiving visit to a homeless shelter to the telltale punctuation of one of the threats, and to pluck helpers from the tiny cast who can fill the remaining gaps because they aren’t idiots or stooges. And it’s Child’s gift to keep tightening the screws, even when nothing’s happening except the arrival of a series of unsigned letters, and to convey a sense of the blank impossibility of guarding any public figure from danger day after highly exposed day, and the dedication and heroism of the agents who take on this daunting job.
Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping himself these days.Pub Date: May 1, 2001
ISBN: 0-399-14861-2
Page Count: 384
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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