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Izzy White?

A lively evocation of black college life at a pivotal point in American history.

An open-minded Jewish student at Howard University provides a guide to black America in the 1960s.

This timely meditation on race relations of the ’60s, written through the eyes of a young Jewish man who willingly immerses himself in a majority-black community, is both a debut memoir and a debut novel for psychologist Wolfe (Treatment of Panic Disorder: A Consensus Development Conference, 1994). Like his protagonist, Isadore White, Wolfe attended historically black Howard University in the ’60s. In this “novelized memoir,” Wolfe’s alter ego grows up in a Washington, D.C., even more segregated than it is today: “Social mixing just isn’t done.” Young Izzy’s reality is that of the lower-middle-class Jewish enclave he’s born into, and he only encounters his black contemporaries on Canteen Night at the Coolidge High Gymnasium, where he hones his basketball skills. Almost immediately, he finds himself liking them, wondering, “Why should these decent guys be the subject of such hatred and fear?” When he realizes that his family can’t afford George Washington University, he decides to enroll in Howard, to the horror of his father: “Izzy, don’t be such a meshuganah.” His dad rails against the “communists and queers” Izzy will encounter there. To the contrary, even though Izzy finds the hallways “dark and the laboratories dreary,” he can’t speak highly enough of his fellow students. He learns about the everyday horrors of segregated life and falls for a beautiful black student named Desirie Jackson, who initiates him into sexual mysteries and challenges him to have the courage of his convictions and work as a real activist instead of a well-wisher. Wolfe obviously knows whereof he writes, and his descriptions of the tense atmosphere that preceded the 1963 March on Washington and the pure pleasure of dancing “The Birdland, The Slop, the Snap, the Chicken, and the Mashed Potato” come alive on the page. Izzy, a dance contest winner, learns all his moves from watching black teenagers on TV: “I would study how black teenagers dance. It was so much smoother and more rhythmic than the white kids.” The book’s layout is curious: some paragraphs are broken with a space in between and some aren’t, and punctuation errors abound (many commas and periods appear outside the quotation marks). But this lack of polish proves to be surprisingly little trouble for the reader: the story that Wolfe tells is an important and rewarding one.

A lively evocation of black college life at a pivotal point in American history. 

Pub Date: Aug. 1, 2015

ISBN: 978-0-692-45254-7

Page Count: 452

Publisher: The Wolfe Forest Publishing Company

Review Posted Online: Sept. 6, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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