‧ RELEASE DATE: Feb. 2, 2022
A heartfelt, if mildly excessive, historical tale about a man with an immortal spirit.
A supernaturally tinged novel of love and longing, set in Civil War–era Louisiana.
De Abreu’s historical tale opens in the beleaguered city of New Orleans in 1862 as it faces the imminent threat of siege and destruction at the hands of Union forces commanded by Commodore David Farragut. To this war-torn place has recently come a young woman named Nabella,who meets and befriends rooming-house owner Eulalie DeMasiliere. The two become close and do their best to comfort each other as each day’s newspapers (reproduced among the novel’s many illustrations) offer grim information. However, they’re intermittently intrigued by their enigmatic neighbor, cabman Valsin Chiasson, who always seems “interested and bored at the same time.” Nabella eagerly awaits the return of the man she considers to be her future husband, Jean Trahan, from the front lines, and as she waits, she must live through Union Maj. Gen. Benjamin Butler’s infamous General Order No. 28, which decrees that any New Orleans woman insulting a Union officer can be treated as harshly as a criminal. These experiences are counterbalanced with the deepening story of Valsin, his love for a woman named Marie Louise Gaspard, and most remarkably, the supernatural mystery of his life: the fact that he’s destined to be reincarnated over and over and only dimly recall his previous existences. “Although Valentin had what some may call an average life,” readers are told, “it was as deep as the sea.” The narrative gradually inches forward in time to the present and then the future, with echoes of Valentin at its heart.
One of the signature strengths of de Abreu’s novel is its elaborately detailed evocation of late-19th-century New Orleans at the time of the Civil War—one that’s considerably aided by the author’s decision to illustrate her novel; on almost every page, there are black-and-white photos of old New Orleans locations, facsimiles of period newspapers, and contemporary prints and portraits. The prose can occasionally become labored, as in a detailed description of Nabella’s clothing, which notes her “wine-colored gown gathered and crossed at the bust,” “a garnet choker necklace and earrings she inherited from her mother,” and a “beautiful cream shawl embroidered in multicolored flowers [that] wrapped around her elbows and hung low in back.” Although the author’s storytelling conviction is undeniable, there’s a didactic tenor to the book that is particularly pronounced in the book’s final section, which features questions and reading prompts. They’re clearly intended to provoke book club discussions, but they have the parallel effect of drawing attention to the fact that the story of Nabella and the long, strange saga of Valsin aren’t substantial enough to warrant such back-of-the-textbook analysis. That said, the differences between those two narrative strains—one being standard historical fiction fare, and the other adding fantasy elements in the style of the work of Anne Rice—create an intriguing dynamic that de Abreu handles with some skill, which is helped by her extensive research.
A heartfelt, if mildly excessive, historical tale about a man with an immortal spirit.Pub Date: Feb. 2, 2022
ISBN: N/A
Page Count: 378
Publisher: Jmfdea Press
Review Posted Online: Jan. 18, 2022
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Jason Rekulak ; illustrated by Doogie Horner & Will Staehle ‧ RELEASE DATE: Oct. 13, 2026
For readers who like their fun laced with skin-crawling weirdness.
A comic-strip artist loses first her cat and then, possibly, her mind.
Working with artists Horner and Staehle, as he did for Hidden Pictures (2022), Rekulak uses illustrations to support a paranormal thriller plot. Penny Padgett, a 27-year-old cartoonist living in Philadelphia, has published three beloved graphic novels about her life with her cat, Popcorn, and is working on a fourth when Popcorn darts out the window during a snowstorm and disappears. When all efforts to locate him fail, Penny spirals into unproductive despair. Her live-in boyfriend, Dean Everhardt, who works in finance, insists she accompany him to a cocktail party at the Brandywine Valley estate of his most important client, Evelyn Bruehl. At the party, Penny hears mewing that at first she’s sure must be Popcorn, but which turns out to be a very different cat named Godfrey. Godfrey immediately attaches himself to Penny, and when Evelyn—who’s about to take an extended trip to Europe—asks her to cat-sit, Dean pressures her to agree. Though at first Godfrey’s presence helps Penny break through her writer’s block, she’s completely disgusted by his custom-made food, which is delivered by his equally repugnant private veterinarian. And then something very strange starts happening to her artwork, which is suddenly filled with macabre and demonic imagery she can’t remember producing. Also, she’s losing weight and something terrible is happening to her skin. At this point the plot pivots into full-on horror, with a disgusting infestation of giant beetles and revolting odors taking over Penny’s house and a horrific murder next door. Penny finds some clues about what’s happening in a biography of Evelyn Bruehl’s grandfather, illustrator Barnabas Godfrey—the cat’s namesake. The 80-plus pages of illustrations include both Penny’s comic panels and Barnabas’ 19th-century images, the latter also filled with hints of what will emerge in the dramatic, screamworthy climax.
For readers who like their fun laced with skin-crawling weirdness.Pub Date: Oct. 13, 2026
ISBN: 9781250895875
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: Aug. 3, 2026
Kirkus Reviews Issue: Sept. 1, 2026
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by Jason Rekulak ; illustrated by Will Staehle & Doogie Horner
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