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PRESIDENTIAL AGENT

Sorry — but even the voice of the Pulitzer jury cannot make me one of Lanny Budd's fans. This is the fifth in the series — and all the ingredients which apparently made for popularity of the first four are here again. The characters are chiefly old friends; Lanny and Irma are divorced; Trudy and Lanny secretly married — and then she disappears; Beauty continues to hold court on the Riviera; Irma has married her landed aristocrat, and becomes a vocal member of the Cliveden set; and Lanny's closest friends have "gone underground". Lanny turns all efforts into trying to find Trudy and during the period he attempts to carry on as she would have him. He uses his art contacts to keep in touch with the highest officials in the Nazi party, in France, in Germany; he plays up his interest (one is kept in some doubt as to the depth of his sincerity) in psychic phenomena, and eventually makes this a link with Hitler and Hess; he plays both ends against the middle, acting as "Presidential Agent" and getting important data out from neutral countries to F.D.R. — and at the same time, feeding the beast with tidbits (which were probably already known) to keep up the pretense of his own fascistic leanings (and conceal his "pinkness"). There's one hair-breadth escape — a futile gesture — for ultimately he knows that Trudy has died at Daehau. Lanny is given credit for various world-shaping events-, the Quarantine Speech, etc; he has his finger in the Munich-Berchtesgaden — Godesberg affairs. He finds out what he needs to know, and holds on to the long-range view. The story stops short of the invasion of Poland. All the panoply of luxurious living is there; the sense of being at the heart of things. Probably many who get little from the papers will feel better informed on the steps leading to war because of reading these books. It will sell — and rent.

Pub Date: June 2, 1944

ISBN: 1931313059

Page Count: 384

Publisher: Viking

Review Posted Online: April 11, 2012

Kirkus Reviews Issue: June 1, 1944

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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