Red meat for royal watchers; tedious for others.



A behind-the-scenes look at the royal advisers to the British monarchy.

Where once the royal courtiers were men exclusively in black suits who came from the aristocratic dynasties and the elite schools in England, longtime royal correspondent Low shows how current-day courtiers reflect the changing nature of the British monarchy itself. As portrayed in The Crown, longtime advisers to the monarchy—e.g., Alan “Tommy” Lascelles (1887-1981), who “began his service under Edward VIII when he was still Prince of Wales”—were palace insiders with real power (and outsize personalities). Lascelles served three kings, and as a veteran courtier, he was “just the man to break in the new Queen.” In the early 1960s, Richard Colville, the queen’s hardened stickler for tradition, was replaced by William Heseltine, who brought in a refreshing transparency with the media and initiated the attitude that “the palace would have to be less insular and more forward-thinking.” While the queen had a straightforward relationship with her courtiers—one former secretary noted, “the worst she’ll say is: ‘Are you sure’ ”—King Charles is less direct and prone to “internal backstabbing.” Edward Adeane did not get along with Princess Diana and tried to keep Charles from making his incendiary speech against the “brutalist trend in modern architecture” in May 1984; Adeane resigned soon after. Mark Bolland, who arrived in the late 1990s, deserves “much of the credit for the way Camilla has been transformed from supposedly the most hated woman in Britain to the country’s future Queen.” The queen’s most recent private secretary, Sir Christopher Geidt, attempted, unsuccessfully, to consolidate the offices of the many royals. The author also delineates Prince Andrew’s press mishaps as well as Harry and Meghan’s attempts to create their own narrative. Ultimately, concludes Low in this detail-heavy narrative, “the courtier is there to guide, to open doors: it is up to the royal whether they walk through.”

Red meat for royal watchers; tedious for others.

Pub Date: Jan. 24, 2023

ISBN: 9781250282569

Page Count: 384

Publisher: St. Martin's

Review Posted Online: Dec. 9, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.


A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 31, 2022

Kirkus Reviews Issue: July 1, 2022

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