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MARY POPPINS, SHE WROTE

THE LIFE OF P.L. TRAVERS

Lawson ably encompasses the life of this mysterious, many-sided author, from nymph to mother to crone.

Lawson (The Allens Affair, not reviewed) offers an intriguing, surprisingly rich literary life of the fairly obscure Australian author best known for her cheery children's series featuring nanny Mary Poppins.

The Disney film based on Travers’s well-loved flying English nanny was not made until 1963, 30 years after Mary Poppins was originally published. Here, Lawson uncovers Travers’s various disguises. Born in Maryborough (Queensland) in 1899, Helen Lyndon Goff absorbed fanciful stories and poetry told by her English-Irish father, a banker who drank heavily and was eventually demoted from bank manager to clerk. With his death, Travers fell under the supervision of her stalwart spinster aunt, Ellie, in Bowral (New South Wales), and our smart young heroine, known then as Pamela, eventually set out for Sydney with the short-lived plan of making her name as an actress. Travels to England and Ireland whetted her appetite for becoming a writer, and correspondence with George William Russell, “AE,” the older married editor of the Irish Statesman, had both romantic and literary implications. AE introduced her to Yeats and encouraged her to publish; her first stories about the Banks children and their dictatorial, magical nanny Mary Poppins first appeared in 1926. Travers traveled extensively as a journalist and seems to have latched onto older, powerful male figures all her life: Besides AE, there was Alfred Richard Orage, Armenian guru G.I. Gurdjieff and Irish critic Francis Macnamara. Travers wrote her many Mary Poppins adventures over the course of 54 years, with delicate drawings by Mary Shepard; with Disney's film adaptation, Travers became a rich woman, though not a famous one. Her adoption of a Dublin twin, Camillus, allowed her finally someone to “love and control,” and she settled comfortably into the role of New Age disciple. She died in 1996.

Lawson ably encompasses the life of this mysterious, many-sided author, from nymph to mother to crone.

Pub Date: Oct. 10, 2006

ISBN: 0-7432-9816-0

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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