by Valorie Fisher ; illustrated by Valorie Fisher ‧ RELEASE DATE: July 8, 2014
Ultimately, haphazard structure undermines a visually engaging presentation.
A series of colorful, photographed spreads provides visual instruction and documentation of various tasks and skills for child readers to master.
From writing letters and numbers through identifying shapes and colors to setting the table and making lemonade, each spread provides affirmation and support of young readers’ burgeoning achievements and milestones. Unfortunately, even though the spreads are visually arresting, they are not always smoothly sequenced. The book starts well, encouraging children to identify their left and right hands and then to take up a pencil with one or the other to make numbers, letters and then words. But then an introduction of shapes and colors leads to the use of scissors, followed by identifying patterns and then dressing and other types of self-care. This results in a package that seems like a collection of posters or a catalog rather than a cohesive picture book. It’s difficult to imagine a reading transaction that would have children following through the book from one page to the next with rapt attention to the lessons they convey in order to have readers fulfill the title’s promise. Still, the use of plastic dolls to complement photographs of humans and diagrams is child-pleasing, and preschoolers who simply leaf through it may find themselves inspired.
Ultimately, haphazard structure undermines a visually engaging presentation. (Picture book. 3-6)Pub Date: July 8, 2014
ISBN: 978-0-449-81593-9
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: April 15, 2014
Kirkus Reviews Issue: May 1, 2014
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by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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by Jimmy Fallon & Jennifer Lopez ; illustrated by Andrea Campos
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SEEN & HEARD
by Rachel Isadora ; illustrated by Rachel Isadora ‧ RELEASE DATE: March 14, 2017
If Black Lives Matter, they deserve more specificity than this.
A lushly illustrated picture book with a troubling message.
Little Lala walks with her father after his successful day of fishing. When Mama calls her home for bed, a host of “good night”s delays her: to the bird, the monkey, and even the rock. As Lala wanders through her village in the darkening twilight, readers appreciate its expansive beauty and Lala’s simple joys. Although it’s been artfully written and richly illustrated by an award-winning author of many multicultural stories, this book has problems that overshadow its beauty. “African veld” sets the story in southern Africa, but its vague locale encourages Americans to think that distinctions among African countries don’t matter. Lala wears braids or locks that stick straight up, recalling the 19th-century pickaninny, and her inconsistent skin color ranges from deep ebony like her father’s to light brown. Shadows may cause some of these differences, but if it weren’t for her identifiable hair, readers might wonder if the same child wanders from page to page. Perhaps most striking of all is Lala’s bedtime story: not an African tale but an American classic. While this might evoke nostalgia in some readers, it also suggests that southern Africa has no comparably great bedtime books for Lala, perhaps in part because American children’s literature dominates the world market.
If Black Lives Matter, they deserve more specificity than this. (Picture book. 3-5)Pub Date: March 14, 2017
ISBN: 978-0-399-17384-4
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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by Rachel Isadora ; illustrated by Rachel Isadora
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by Rachel Isadora ; illustrated by Rachel Isadora
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