O'Brien's warm, witty voice will bring a wide audience to her world-class adventures.

TO THE GREATEST HEIGHTS

FACING DANGER, FINDING HUMILITY, AND CLIMBING A MOUNTAIN OF TRUTH

A record-setting mountaineer chronicles her ascents, near misses, and challenges, not all on mountains.

In her debut, O'Brien deftly spins the story of how she lost her high-powered corporate job and decided to climb Mount Everest. Despite hair-raising obstacles and frozen body parts littering the trail, she succeeded and gradually moved into the highest ranks of mountaineering. Readers will be thrilled by her accounts of climbing the Seven Summits, the highest mountains on each continent, achieving the Explorers' Grand Slam after skiing to both the North and South poles. She was the first British and American woman (dual citizenship) to conquer K2, arguably the most dangerous mountain in the world, and in 2013, she became the first woman to complete the Grand Slam in less than one year. Throughout the book, the author provides well-fleshed characterizations of guides, fellow travelers (some of whom become dear friends, some total jerks), and one fine fellow she calls Spousey. O’Brien teaches us about the tedium involved in the process of acclimatizing to high altitudes, spending months in base camps hiking up and down, and she parcels out the painful details of her childhood at the hands of careless parents, crediting those experiences with bolstering her independence and inner strength. This backstory contains a black hole that she avoids fully explaining for much of the narrative, adding tension to the procession of summits, stories that become somewhat repetitive by the end of the book. Nonetheless, O'Brien pours her unflagging energy and hard-won life wisdom into every aspect of her book—even the epigraphs for each chapter are excellent—and her prose is commendably free of clichés and full of wit. All of these elements combine to make a vicariously engaging addition to the literature on mountaineering as well as a beacon of inspiration in these dark times.

O'Brien's warm, witty voice will bring a wide audience to her world-class adventures.

Pub Date: March 23, 2021

ISBN: 978-1-982123-78-9

Page Count: 368

Publisher: Emily Bestler/Atria

Review Posted Online: Jan. 13, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

TANQUERAY

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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