Hilarious and touching, icily removed, yet bracingly real.
Being held up at gunpoint either sends a college student into the throes of despair or gives her a new reason to live: maybe a healthy dash of both.
It’s a good thing Vida (Girls on the Verge, 1999) makes her fiction debut with this novel instead of a story collection: she takes getting used to, but it’s worthwhile. Ellis is a 21-year-old Columbia University student walking in Riverside Park when a man tells her that he’s going to kill her, then himself. Trying to convince him of everything worth living for, Ellis spouts poetry, throwing everything at him from “Leda and the Swan” to William Carlos Williams and Philip Larkin, melting his despair until he lets her go. Later, when the police come to her apartment and her roommate answers the door, Ellis thinks: “I wonder if this is how it will be from now on: whenever there are policemen at the door we’ll assume they’re for me.” The remainder of the tale is a short string of nonevents (even the trip Ellis takes to the Philippines hardly registers), the dull detritus of a benumbed student’s life. It’s a frustrating, brilliant story about an irritating person with genuine trauma acting hatefully to all those around her. There’s too much smartass to the book: in a scene when an old high school friend is telling Ellis about a teacher who taught Sylvia Plath, Vida can’t resist throwing in that the teacher “put her head in the oven.” But then two pages later, when Ellis is obnoxiously lying and claiming to have been raped, she thinks: “I feel oddly liberated and I realize why: if I had been raped, I’d feel more justified doing everything I’m doing.” It’s a genius line, ringing true—but sure to be undermined by another poor joke later on (we won’t get into the scene where Ellis goes to the barber and gets a mullet—too much Gen-X irony in that one).
Hilarious and touching, icily removed, yet bracingly real.Pub Date: Aug. 22, 2003
ISBN: 1-4000-4027-2
Page Count: 224
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
