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LENIN

THE MAN, THE DICTATOR, AND THE MASTER OF TERROR

A compelling, cleareyed portrait of a dictator whose politics have unfortunate relevance for today.

An illuminating new biography of the cold, calculating ruler on whom the subsequent Soviet state modeled itself.

“Secretive, suspicious, intolerant, acetic, intemperate.” Such is the essence of the portrait of his subject that Budapest-born journalist Sebestyen (1946: The Making of the Modern World, 2015, etc.) extracts from the considerable record. The author does not overwhelm with detail, and he focuses especially on how Lenin’s most important relationships were with women, such as his mother, his wife, Nadya, and his mistress, Inessa Armand. From his beginnings as a brilliant youth to his maturation as a driving, relentless intellectual whose favored method of leadership was merciless carping, Lenin was consistently concerned with the nitty-gritty of power and how to attain it. He was also criticized for fleeing from trouble, as he believed he was too important to the struggle to get arrested. Radicalized at the age of 18 after the “violent drama” of his beloved older brother Sasha’s execution by the czar’s police force in 1887 for attempting to assassinate the czar, Vladimir Ulyanov, as he was then known, “was heir to a long tradition of revolutionary opposition to the Tsars.” Prohibited from studying at university, sent briefly to Siberia, closely monitored by the czar’s police state, the Okhrana (from which Lenin’s Cheka would subsequently and ironically derive its model), and largely supported in every way by his mother and wife, Lenin moved about in exile honing the revolutionary message. Although not as eloquent a writer as Marx or Trotsky, Lenin created a style of argument altogether his own; as the author writes, “he was nearly always domineering, abusive, combative and often downright vicious.” Operating brutally but haphazardly, rather than by a truly coordinated effort, and not averse to using a “criminal gang” to steal on the party’s behalf, Lenin prevailed by sheer force of will. Sebestyen ably captures the man, “the kind of demagogue familiar to us in Western democracies.”

A compelling, cleareyed portrait of a dictator whose politics have unfortunate relevance for today.

Pub Date: Nov. 7, 2017

ISBN: 978-1-101-87163-8

Page Count: 592

Publisher: Pantheon

Review Posted Online: Sept. 24, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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