A tale full of juvenile embellishment aimed squarely at sophisticated adults.

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AFTER THE FALL

A wealthy New York City family hits the skids and is forced to move into Central Park.

Famously the staff cartoonist for The New Yorker, Roberts brings her strengths and whimsical sense of humor to bear in this heavily illustrated but lightly written novel. The dramatis personae introduced here include Pops, an inventor whose creations have made the family filthy rich; Mother, a bone-skinny matriarch with a perpetual cigarette; Sis, a young performer destined for fringe theater; our narrator, the sweet-natured brother, Alan; as well as servants Gudelia and Usvelia and three pugs. When the family loses everything, they mysteriously find themselves living in the midst of Central Park. Not quite homeless, the family winds up bringing everything, from their couch to their doorman, with them. It’s all quite idyllic at first, as Mother kills swans in the park for coq au vin, and Pops works on inventions like the Diplomatix, an effervescent tablet that teaches how to think like the French. But as Christmas looms, the family dynamics start coming apart at the seams. The illustrations, as one might imagine, are the book’s most winning attribute. Roberts is consistent in her portrayals of the odd family while simultaneously throwing in absurdities, like the sea monster Sis imagines lives in the pond and the Yeti that comes to visit during the winter. But for all the wonders of Roberts’ illustrations, the story is fitfully funny in a style reminiscent of Wes Anderson films. Alan is particularly funny, popping out lines like, “I’m learning Italian. This morning at the Met, I followed a group led by a female guide in Italian. I’m going to acquire Japanese, too, via osmosis.” Those who can’t stand the dandy-ish style of The New Yorker may find this avant-garde children’s book for adults off-putting. For those who value absurdity and have a soft spot for anthropomorphic animals, it’s a richly illustrated treat.

A tale full of juvenile embellishment aimed squarely at sophisticated adults.

Pub Date: Nov. 12, 2012

ISBN: 978-0-393-07355-3

Page Count: 192

Publisher: Norton

Review Posted Online: Sept. 16, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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