The characters in Chu’s debut story collection grapple with quotidian struggles, employment mishaps, and unruly family dynamics.
Chu's stories are set in spaces one might write off as nondescript: generic office parks, stores in their final days of existence, fast-food restaurants, the hallways of cruise ships. At his best, Chu finds ways to turn the everyday into the revelatory. He’s especially good at tapping into the frustrations of working in corporate America circa now. In “Fred from Finance,” the title character is laid off from his job on his birthday, discovers some unpleasant truths about his former co-workers, and makes a few unlikely connections with people along the way. The narrator of “Rhubarb Pie” is forced to confront his own attitudes about his job of many years after one of his colleagues announces her intention to quit via a well-placed pie to the face of her boss. These are subtle, understated stories, by and large; in “Recent Conversations,” Chu explores the ambiguities of the dialogues that can emerge in the world of online dating, while in the title story, the proprietor of a toy store that’s soon to close attempts to determine if the object of his affection is also responsible for a recent theft. The collection juxtaposes the harmful impact that financial conditions and a shifting economic landscape can have on people, but Chu also leaves in space for his characters’ more personal foibles and flaws. He covers a host of relationships—familial, romantic, occupational—and, in doing so, showcases the complexities of the characters on display.
Chu’s stories are solidly realistic in their scope, exploring everyday issues with charm and empathy—and occasional moments of unexpected humor.Pub Date: Feb. 28, 2018
ISBN: 978-0-9984092-6-9
Page Count: 238
Publisher: 7.13 Books
Review Posted Online: Nov. 28, 2017
Kirkus Reviews Issue: Dec. 15, 2017
Categories: GENERAL FICTION
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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)
Pub Date: April 1, 1999
ISBN: 0-671-02578-3
Page Count: 320
Publisher: Pocket
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 1999
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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