by Vincent Lam ‧ RELEASE DATE: Aug. 14, 2012
Lam writes tellingly about intrigue, political collusion and the clash of cultures.
The Chinese headmaster of an English language academy tries to keep body, soul and school together in Saigon during the Vietnam War.
Chen Pie Sou, also known as Percival, is supremely aware of being an outsider. His father had moved to Vietnam in the 1930s to start a new life in the rice trade, and when that dried up during the Japanese occupation, his son eventually decided to go in a new direction. Although Percival’s marriage to his socially superior wife, Cecilia, began in derision and ended in failure, he had a son, Dai Jai, that he doted on. The novel opens with Dai Jai as a young man, flouting the recent edict that forces the teaching of Vietnamese at the school. Percival has always taught his son to assert himself, but his Chinese identity turns out to be dangerous in Saigon in the 1960s, so Percival smuggles Dai Jai out of the country and back to China. Percival also feels his son might be getting too close to Vietnamese girls, and he wants to ensure that his son chooses a Chinese wife. With Dai Jai gone, Percival takes up with an extremely attractive student, Jacqueline, who’s half-French and half-Vietnamese. They begin a fiery affair that culminates in her pregnancy. She gives birth a month before her time, precisely at the explosion of the Tet Offensive in 1968, when Percival is on a Viet Cong list of those to be assassinated as a collaborator with the Americans, and while he escapes this time, further revelations are in store—that Bak, his faithful friend and employee since the Japanese occupation, is actually in league with the Viet Cong, has been spying on Percival, and has encouraged graduates of the school to work with the Viet Cong to intercept and translate American military orders.
Lam writes tellingly about intrigue, political collusion and the clash of cultures.Pub Date: Aug. 14, 2012
ISBN: 978-0-307-98646-7
Page Count: 416
Publisher: Hogarth
Review Posted Online: April 28, 2012
Kirkus Reviews Issue: June 15, 2012
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by Vincent Lam
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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