THE THURSDAY CLUB

Routine NYPD conspiracy-thriller that should have been better, considering Murano's years as an NYPD Internal Affairs detective (Cop Hunter, 1990) and Hammer's credits as a true-crime (Beyond Obsession, p. 93) and fiction writer (Dance Down the Mountain). The authors spring a nice little surprise up-front, when veteran homicide cop Felix Palmieri, who looks to be the story's hero through his investigation of several cases—including the murders of a black hooker, a top mobster, and an Arab diplomat—is himself gunned down in a dark alley. The remainder of the story, though, is clichÇ-driven, beginning with Ben Rogers, Palmieri's protÇgÇ, a steadfast Internal Affairs cop determined to track down Palmieri's killer by sifting through Palmieri's last cases—even as he's asked by the newly elected mayor to look into charges of corruption against financier Eugene Donatello, a prospective deputy mayor. Rogers's diggings soon draw unwanted fire—an attempted hit- and-run; a vague hands-off warning by curiously amenable mob-boss Generoso Ruggieri; the vicious murder of a snitch. It's unclear to Rogers which act ties to which case, although he neatly solves one puzzle, the drug-related murder of a nurse. Meanwhile, his investigation of Donatello brings the cop up against the Thursday Club, a powerful cabal composed of Donatello, a beloved top cop, a respected bishop, and others—and when Rogers uncovers proof of the Club's involvement in insider-trading and in a 25-year-old murder, tying most of Palmieri's cases together, the Club and its as-yet unidentified (though obvious) chief go after Rogers, who finally must turn for help—with a twisty payoff—to the enigmatic Ruggieri. Armchair cops will nail the villains way before the hero does; but the real let-down is the authors' failure to tap fully into Murano's background: Their NYPD/municipal power-plays are pure pulp, and their city streets have as much depth as a studio backlot.

Pub Date: Nov. 1, 1992

ISBN: 0-671-73448-2

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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