A bit sudsy, but sharp dialogue and solid, fast-paced storytelling make for a gratifying read.
This winning sequel to Tryin’ to Sleep in the Bed You Made (1997) revisits childhood friends Pat, Marcus and Gayle.
Nearing 40, the three have found success in Manhattan. Marcus, a former ball player, is now a successful sport’s agent, while his wife Pat and best friend Gayle own and operate the Ell & Me Company, creating popular storybooks and dolls. In the 1997 novel, the lives of Gayle and her daughter Vanessa were nearly ruined (they were stuck in a homeless shelter thanks to Gayle’s gambling husband Ramsey, now long gone—or is he?), but the two have moved on to a more prosperous, if not happier life. Vanessa is a spoiled teen who wants to pursue a dancing career, while Gayle binges and purges, trying to maintain a façade of calm. Meanwhile, Pat and Marcus seem like an A-list couple, but the reality is sadder, with the two too busy moving and shaking to realize how lonely they are. Spanning a few years, the novel starts with a shock for Marcus when 18-year-old Tiffani shows up wanting to meet her daddy. A paternity test lets Marcus off the hook, but, harboring a desire for kids of his own, he still wants to help her. Pat arranges for Tiffani to go to boarding school, then college and then take a job with Ell & Me. Hardworking Tiffani seems too good to be true—and she is. If only Vanessa could be so focused, but instead she drops out of school, moves in with her abusive boyfriend and kindly lets Gayle know where her monthly allowance can be sent. Tiffani grows ever successful in her manipulation of others, Vanessa and Gayle do battle in their own private hells, Pat and Marcus become increasingly separate and Gayle is insisting Pat sell out to the big manufacturer that wants to buy their company. The road to happiness for the gang is long.
A bit sudsy, but sharp dialogue and solid, fast-paced storytelling make for a gratifying read.Pub Date: Jan. 8, 2008
ISBN: 978-1-4165-3167-8
Page Count: 368
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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