The question all these stories pose—“Don’t you find that most people prefer blindness?”—is answered by the hunger of Pye’s...
In these nine stories, novelist Pye (Dreams of the Red Phoenix, 2015, etc.) writes about characters who are blind to their own feelings, to the feelings of others, or to the world at large.
The particularly strong opener, “Best Man,” seems slightly sordid at first—a straight man attending the Reno wedding of his dying gay friend to an attractive woman thinks he’s becoming embroiled in a romantic triangle—only to evolve into a deeply moving meditation on the complexity and potential generosity of love. All of Pye’s characters are oblivious or ambivalent about the joys and costs of becoming aware. In “New Year’s Day,” a young teacher willing herself to ignore the world’s miseries clings to simplistic optimism until a semicloseted gay friend exposes her to upsetting yet exciting realities. Similarly, the librarian in “Her Mother’s Garden” feels both anger and relief when the sale of her dead parents’ home forces her to face a future beyond the narrow world she’s clung to. In “White Dog,” the inability or unwillingness of an aging bohemian painter and up-and-coming gallery owner to understand each other plays out in their reaction to a stray dog. In “Redbone,” another painter realizes too late his failure to acknowledge who he’s truly loved. “An Awesome Gap,” about a skateboarding middle schooler who wants his clueless father to understand his passion, beautifully captures the near hopeless yearning of all parents and children. “Easter Morning” also centers on family as men and women handle a young child’s grief over his dead bird differently but without the blindness found in most of this volume. The book’s weak link, “Crying in Italian,” about a woman seemingly plotting to leave her family, teases expectations too obviously to be effective. In the terrific title story, a young writer skates close to endangering his marriage by misinterpreting signals from a woman, assuming their long friendship may no longer be platonic.
The question all these stories pose—“Don’t you find that most people prefer blindness?”—is answered by the hunger of Pye’s characters to connect.Pub Date: Oct. 23, 2018
ISBN: 978-1-941209-82-0
Page Count: 184
Publisher: Press 53
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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