Gear (People of the Lightning, 1995, etc.) picks up the adventures of Boston Brahman Richard Hamilton, begun in The Morning River (1996), carrying him from untested student of philosophy and priggish young gentleman of society to maturation and manhood on the virgin frontier of the American West in the 1820s. The story resumes with Richard indentured to rough mountain man Travis Hartman and obliged to work on a keelboat bound for the Yellowstone, where the boat's owner, Dave Green, hopes to establish an illegal trading post. Travis is committed to making a man of the boyish Richard, who has already proved his mettle by killing a Pawnee warrior and rescuing the beautiful Heals Like a Willow, a Shoshone mystic who's smitten by the handsome but elitist Bostonian. For the slow first half of this sequel, Richard broods over the loss of his honor owing to happenstances revealed in The Morning River (they included robbery and murder)—matters that, like the frontier around him, are at odds with his sophomoric philosophical understanding of civilization's established values. Finally, though, the plot begins to move forward with a speed that makes the ponderous first 200 pages worth the journey. Richard is bloodied and badly wounded in a pitched battle, and he finds his devotion to the memory of his Boston love, Laura Templeton, competing with his newfound affection for the Shoshone girl. Ultimately, though, Richard is saved by true love—both in Boston and in the West—and reconciles his philosophical studies with frontier and human actualities. The stage is well set for volume three. All the sterotypical Indians talk like Oxford dons, and all the rustic whites speak in dialectical frontier gibberish; but, still, Gear presents the early American West with a rare, salty accuracy of detail. The action scenes are exciting, the romance ones only marginally sentimental.
Pub Date: Aug. 15, 1997
ISBN: 0-312-86330-6
Page Count: 432
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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