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EVERY HOUR, EVERY ATOM

A COLLECTION OF WALT WHITMAN'S EARLY NOTEBOOKS AND FRAGMENTS

A work to be savored for poetic insight and inspiration.

The latest entry in the Iowa Whitman series, focusing on the poet’s early work. Turpin and Miller, both English professors and Whitman scholars, do an invaluable service in transcribing the scattered pages of his pre–Civil War work, rendering them in an intimate, accessible format for lay readers and fans. In his helpful introduction, Miller emphasizes the small size of the actual notebooks—the size of a palm—and how "the economy of [Whitman's] handwriting is meticulous, at times even fussy." The editors have taken great pains to show the mechanics of Whitman’s process—the "trial lines," revisions, scratch-outs, and constant edits—revealing the poetic mind as the muse and mood carries Whitman along, literally strolling the streets of Brooklyn. Some of the fragments will resonate with readers well versed in Whitman's poetry, especially "Song of Myself" and "The Sleepers," but more often, there is a thrilling glimpse into the intensity of Whitman's imagery, tactile language, and fiery sensations. Best of all, the editors have not attempted to "clean up" his spelling or typographical disarray, since this is part of the joy of reading the rough-and-tumble poet and newspaper editor who was fond of "manicules" and drawings, as well. “If, while reading, you experience a kind of whiplash from Whitman’s abrupt fits and starts, know you are not the first,” writes Miller. “If one page of a notebook is so radically different in tone or texture from the next that it seems as if one part were written months or years after the other, that very well may be the case. Whitman often returned to notebooks he had abandoned for years.” It’s solid advice for reading these feverish bits of literature, well organized for further critical study or simple enjoyment. A work to be savored for poetic insight and inspiration.

Pub Date: July 1, 2020

ISBN: 978-1-60938-703-7

Page Count: 410

Publisher: Univ. of Iowa

Review Posted Online: June 17, 2020

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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