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AIR FORCE EAGLES

Boyne completes the trilogy covering the birth of the American Air Force that began with Trophy for Eagles and Eagles at War. Covering the years from the end of WW II to the beginning of missile development in the late 1950's, Boyne's cast of fliers, manufacturers, and politicians slog their way through demobilization, the Berlin airlift, the Korean War, the McCarthy menace, and the birth of the civil-rights movement. The framework for the action, which is largely earthborne, is the racist scheming of Arkansas Congressman Milo Ruddick. Ruddick, who controls Air Force appropriations, uses his considerable power and influence to advance the careers of his son and son-in-law at the same time that he thwarts the careers of more deserving fliers—particularly that of John Marshall. Marshall, one of the black graduates of the WW II Tuskegee flight school who's now working as a test pilot, loses his chance to be the first man to break the sound barrier when Ruddick orders his removal from the test program. It's the first of a series of ordeals that will beset Marshall. Working for the fledgling Israeli air force, Marshall shoots down two Egyptian planes but can't go on record as the first black ace since his employment is a secret. When he's called up for the Korean conflict and again comes close to becoming an ace, his kills are credited to Congressman Ruddick's son-in-law. Captured and tortured by the North Koreans, Marshall survives to find that, while he was out of circulation, his beautiful wife, with the help of a handsome African-American entrepreneur, has become the new queen of black cosmetics. While Mrs. Marshall's business grows, so does the military-industrial complex—as well as the new growth industry, McCarthyism. Heavier on politics and social activism than Boyne's many flying fans may feel necessary, but that's life.

Pub Date: June 1, 1992

ISBN: 0-517-57609-0

Page Count: 480

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1992

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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