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DEATH HAMPTON

A fast-paced mystery with plenty of action and colorful characters, hampered by a few unlikely coincidences.

In Marks’ (Dangerous Behavior, 2014, etc.) latest thriller, a detective investigates a wealthy real estate developer’s disappearance, and uncovers a mystery involving the man’s wife and a mysterious hit man.

Former East Harlem detective Neil Jericho moved to Montauk, Long Island, to escape a tragic, career-altering case and to be near his ex-wife and daughter. He expected a prosaic life as a cop in the Hamptons, but instead, he becomes embroiled in a mysterious missing person case. Real estate mogul Burton “Burt” Lloyd Cascadden’s empire is on the verge of collapse. His plans to build a luxury waterfront apartment building in Brooklyn have been delayed due to a legal dispute; his funds are tied up in the project, and he’ll be ruined financially if he loses the lawsuit. At the same time, his marriage to his second wife, Susannah, is floundering, and he blames her for the “negative energy” affecting his finances. Burt hires a hit man named Mort to kill his wife, but before Mort can act, Burt disappears. Jericho catches the case, but his investigation is soon complicated by a second disappearance, as well as by his own growing attraction to Susannah. Does she know more than she’s admitting, and will she put his life in danger? Overall, this is a well-paced mystery; Marks provides his intriguing principal characters with solid backgrounds without lingering too long on irrelevant minutiae, and he puts the central mystery front and center from the start. The relationship between Jericho and Susannah gives the book a good, romantic spark. The whodunit initially seems straightforward, but it offers surprise twists that add further dimension to the characters. That said, the novel does suffer a bit from spotty editing; early in the novel, for example, Jericho mentions that his favorite charity, Doctors Without Borders, received the “Noble” Peace Prize, rather than the Nobel. Also, later in the story, Jericho rather conveniently appears at Susannah’s house right when she needs him, without ever explaining how he knew she was in danger.

A fast-paced mystery with plenty of action and colorful characters, hampered by a few unlikely coincidences.

Pub Date: May 27, 2014

ISBN: 978-0990316107

Page Count: 304

Publisher: Top Tier Lit

Review Posted Online: Feb. 7, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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