by Walter Thompson-Hernández ‧ RELEASE DATE: April 28, 2020
A gritty and somber chronicle of an often overlooked community.
A year in the lives of 10 inner-city men fighting to keep black cowboy culture alive and well even as their personal lives are in disarray.
By the time New York Times reporter Thompson-Hernández caught up with them, the Los Angeles–based Compton Cowboys seemed to be experiencing a wishful and elegiac pall. The equine outpost, which had always served as refuge and home away from home throughout the crew’s often tumultuous and traumatized childhoods, was in dire straits. Mayisha Akbar, the indomitable force of nature who founded the Compton Junior Posse in 1988, was heading toward retirement, and the big-money donors that had kept the expensive operation afloat were slowly disappearing. The mantle of ranch leadership was about to shift to Randy, Mayisha’s nephew. While Randy understood what was required to allow the group to blaze a new trail into the future, the stakes were high: keeping alive the legacy and heritage of men like Nat Love and Bill Pickett, real-life black cowboys who, despite Hollywood’s whitewashing of history, were integral in establishing what became known as the Wild West. However, regardless of their determination to pass down the black cowboy tradition to the next generation of new riders, the CJP members had to cope with the daily realities of life on the gang-scarred streets of Compton. In his intimate yet sober-eyed narrative, Thompson-Hernández never shies away from those realities. All of the Compton Cowboys, to some degree, have struggled with the PTSD associated with the neighborhood's dangerous landscape. Across the board, there continues to be unresolved anger and alcoholism, self-doubt and trepidation. Describing Mayisha’s retirement party, the author writes, “the future of the ranch was uncertain and everyone in attendance looked at the cowboys for answers that they did not have.” The author’s fondness and respect for the CJP crew is consistently patent (only occasionally overly so), and he tells their story straight, no matter how much it hurts.
A gritty and somber chronicle of an often overlooked community.Pub Date: April 28, 2020
ISBN: 978-0-06-291060-8
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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PERSPECTIVES
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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