Tackles a complex subject without sufficient depth.
Prompted by an unplanned pregnancy, an adoptee seeks out her birth mother.
Lizzie has always felt out of place as a Black adoptee raised by White parents. She’s also a disappointment, with a boyfriend her mother doesn’t like and poor performance at school. Certain she’s destined to be hated by her predominantly White community forever and finding herself pregnant and unsure of whether she wants to terminate or not, Lizzie flees town in search of her birth mom. When her Airbnb falls through, she lands in a women’s shelter where she experiences conflict with another resident before she serendipitously meets a counselor and other mentors. Those adults quickly track down a nurse who, nearly two decades after the fact, remembers when Lizzie was born and may be able to locate her biological mother. All the while, Lizzie finds herself in the position of many biracial teens: too Black for some people, too White for others. Taylor has clearly grasped the high interest part of hi-lo with her gritty plot, but the pacing makes the story difficult to follow, undermining accessibility for the target audience of reluctant readers. The varying portrayals of Lizzie’s mom as, at times, a distant, racist person, and at others a loving parent, don’t just give readers whiplash, they also present without nuance negative stereotypes about transracial adoption. A heavy reliance on racial tropes and outdated language that doesn’t ring true for zoomers make the work feel out of touch.
Tackles a complex subject without sufficient depth. (Fiction. 14-18)Pub Date: Aug. 1, 2021
ISBN: 978-1-4594-1496-9
Page Count: 192
Publisher: James Lorimer
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
A dystopian world that is all too real and that has much to say about our own.
In an apocalyptic future Canada, Indigenous people have been forced to live on the run to avoid capture by the Recruiters, government military agents who kidnap Indians and confine them to facilities called “schools.”
Orphan Frenchie (Métis) is rescued from the Recruiters by Miigwans (Anishnaabe) along with a small band of other Indians from different nations, most young and each with a tragic story. Miigwans leads the group north to find others, holding on to the belief of safety in numbers. Five years later, Frenchie is now 16, and the bonded travelers have protected one another, strengthened by their loyalty and will to persevere as a people. They must stay forever on alert, just a breath away from capture by the Recruiters or by other Indians who act as their agents. Miigwans reveals that the government has been kidnapping Indians to extract their bone marrow, scientists believing that the key to restoring dreaming to white people is found within their DNA. Frenchie later learns that the truth is even more horrifying. The landscape of North America has been completely altered by climate change, rising oceans having eliminated coastlines and the Great Lakes having been destroyed by pollution and busted oil pipelines. Though the presence of the women in the story is downplayed, Miigwans is a true hero; in him Dimaline creates a character of tremendous emotional depth and tenderness, connecting readers with the complexity and compassion of Indigenous people.
A dystopian world that is all too real and that has much to say about our own. (Science fiction. 14-adult)Pub Date: Sept. 1, 2017
ISBN: 978-1-77086-486-3
Page Count: 180
Publisher: DCB
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
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