An opinionated, perceptive insider’s take on an unsung but vital part of America’s education system.
Community college teachers fight for their rights—and the soul of higher education—in Lanter’s feisty memoir.
Lanter (In This House of Men, 2010, etc.) taught English and philosophy at Southwestern Illinois College, a two-year public institution with a history of labor activism. Here he chronicles 25 years of union battles against an administration and board of trustees hell-bent on bringing the crass, exploitative norms of the corporate workplace into academia. The struggle involves familiar issues of pay, workload—officials were forever trying to impose “productivity” benchmarks on instructors—part-time staffing and the fight for recognition of the faculty’s American Association of University Professors bargaining unit. But in the background, Lanter contends, lie deeper conflicts over the meaning of a college education; namely, whether it should be a rigorous tutelage in academic disciplines conducted by professionals or—in extreme terms—a cheap, profit-generating commodity geared toward vocational training and employment credentialing, purveyed by glorified “drug-store clerks.” The narrative provides a comprehensive, if somewhat disorganized and repetitive, case study in academic and labor politics, immersing readers in pay tiers, overtime provisions and tenure guidelines. The author regales readers with the minutes of particularly rancorous meetings and the returns from county board of trustee elections and property-tax referenda. The level of detail is often eye-glazing, but there are dramatic episodes—including a sharp-edged 1980 faculty strike that ended in mass arrests—and an invigorating edge of scorn for the administration, its professorial cronies and its “insidious and parasitical” union-busting lawyers. Intertwined is a caustic, loose-jointed critique of higher education that takes swipes at watered-down grading, vapid learn-at-home telecourses, excessive concern for student self-esteem, junky “education” degrees and religious zealots who want to censor their profs; the whole “American capitalist ideology” under which “democracy has come to mean the right to make a corporate profit” also takes a hit. Lanter’s memoir may be, at times, curmudgeonly, but the author makes a cogent case for defending academic standards—and academics’ dignity—against an onslaught of business values.
An opinionated, perceptive insider’s take on an unsung but vital part of America’s education system.Pub Date: Feb. 9, 2012
ISBN: 978-0983841203
Page Count: 392
Publisher: Twiss Hill Press
Review Posted Online: April 20, 2012
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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