Heavy-handed writing manages to make David Niven sound like a bore in this undistinguished addition to the series.
Griffin (The Hunters, 2007, etc.), with Butterworth, continues his Men at War World War II spy series, sending proto-CIA agent Major Richard Canidy to check on Nazi supplies of nerve gas secreted in Sicily.
As we know now, there was no limit to Nazi perfidy, but Canidy and his O.S.S. bosses are shocked to discover evidence of chemical and biological weapons on the weakening Axis stronghold of Sicily. Good-guy saboteurs did their best to blow up a ship full of nerve gas and a palazzo loaded with germs, but Canidy needs to go back to the island to double check on the job. If the gas went off in the explosion, there will be corpses clogging the streets, making it necessary for President Roosevelt to react. Before Canidy can return to Sicily, he has to involve himself in the O.S.S. training effort in Algeria, selecting a team from Italian-American student agents whose loyalty, given the possibility of Mafia ties, cannot be guaranteed. Real-life film stars Peter Ustinov and David Niven, with author Ian Fleming, turn up in a secondary plot taking quite as much time as the nerve gas business. The stellar trio expend much energy on the creation of a backstory for a corpse the Brits have frozen and plan to use in an elaborate ruse to make the Axis powers believe that the Allies will invade the Balkans instead of Sicily. The boys toss off Griffin’s idea of bons mots, thrilling Philadelphia debutante Charity Hoche, a mid-level character who starts to hog the stage, and who at one point has a confusing run-in with the metric system a generation before it was adopted in the U.K.
Heavy-handed writing manages to make David Niven sound like a bore in this undistinguished addition to the series.Pub Date: June 26, 2007
ISBN: 978-0-399-15420-1
Page Count: 352
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2007
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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