Notable mostly for the digs at a CIA agent remarkably similar to Valerie Plame.
Griffin returns to chronicle the international adventures of heroic presidential special agent Charley Castillo (The Hostage, 2006).
Too modest and too rich to be just another rampaging Ollie North, Major C.G. “Charley,” polyglot love child of a German newspaper heiress and an even richer Texas aviator, has been charged by his doting president with the formation of a special-operations group answering only to the White House. The president wants Charley to clear up the mess left behind when he and his ragtag band of straight-shooting marines, honest CIA operatives, brainy Asian F.B.I. agents and their admiring Argentine opposite numbers located and almost snatched the perfidious high-level U.N. bureaucrat who absconded to rural Uruguay with 16 million dollars rightfully belonging to an international ring of oil-for-food swindlers. The snatch of the bureaucrat had been foiled by a black-clad gang of seemingly unidentifiable “Ninjas” armed with untraceable weapons, one of whom took out the bureaucrat even as Charley was reaching for him. The Ninjas were all wiped out, but the oil-for-food thieves want their money back and they want equally to eliminate anyone with clues about their identity, especially elderly Hungarian man-about-town and ace reporter Eric Kocian, a favorite of Charley’s. Armed with the disputed 16 million bucks snatched from the late bureaucrat’s secret accounts, girded with a promotion to Lt. Colonel and staffed with the best office administrator on the planet, Charley rounds up his troops and swears them into the new unit and off they fly in Charley’s Gulfstream, back and forth from Argentina to Germany to Hungary to Texas to Argentina to Uruguay, accompanied on much of the trip by Kocian’s huge and adorable Flemish sheepdog, until they at last clear up most of the mysteries, leaving just enough unsolved for a sequel.
Notable mostly for the digs at a CIA agent remarkably similar to Valerie Plame.Pub Date: Jan. 2, 2007
ISBN: 0-399-15379-9
Page Count: 528
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2006
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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