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THE HUNTERS

Notable mostly for the digs at a CIA agent remarkably similar to Valerie Plame.

Griffin returns to chronicle the international adventures of heroic presidential special agent Charley Castillo (The Hostage, 2006).

Too modest and too rich to be just another rampaging Ollie North, Major C.G. “Charley,” polyglot love child of a German newspaper heiress and an even richer Texas aviator, has been charged by his doting president with the formation of a special-operations group answering only to the White House. The president wants Charley to clear up the mess left behind when he and his ragtag band of straight-shooting marines, honest CIA operatives, brainy Asian F.B.I. agents and their admiring Argentine opposite numbers located and almost snatched the perfidious high-level U.N. bureaucrat who absconded to rural Uruguay with 16 million dollars rightfully belonging to an international ring of oil-for-food swindlers. The snatch of the bureaucrat had been foiled by a black-clad gang of seemingly unidentifiable “Ninjas” armed with untraceable weapons, one of whom took out the bureaucrat even as Charley was reaching for him. The Ninjas were all wiped out, but the oil-for-food thieves want their money back and they want equally to eliminate anyone with clues about their identity, especially elderly Hungarian man-about-town and ace reporter Eric Kocian, a favorite of Charley’s. Armed with the disputed 16 million bucks snatched from the late bureaucrat’s secret accounts, girded with a promotion to Lt. Colonel and staffed with the best office administrator on the planet, Charley rounds up his troops and swears them into the new unit and off they fly in Charley’s Gulfstream, back and forth from Argentina to Germany to Hungary to Texas to Argentina to Uruguay, accompanied on much of the trip by Kocian’s huge and adorable Flemish sheepdog, until they at last clear up most of the mysteries, leaving just enough unsolved for a sequel.

Notable mostly for the digs at a CIA agent remarkably similar to Valerie Plame.

Pub Date: Jan. 2, 2007

ISBN: 0-399-15379-9

Page Count: 528

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 2006

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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