A breezy and inviting biography from a self-described “zealot.”
A compact and incisive portrait of the great dancer and choreographer.
In 2015, after Lesser (You Say to Brick: The Life of Louis Kahn, 2017, etc.) saw one of Robbins’ (1918-1998) final works, The Goldberg Variations, she sat “in a state of stunned amazement.” She welcomed the offer to write a biography for the publisher’s Jewish Lives series because she sees him as a “genius worth championing.” The author begins with Robbins as perhaps “the most hated man on Broadway.” Actors and dancers famously feared his “vicious outbursts” and “cruel perfectionism.” Others loved him deeply. He was always “high-strung and tormented,” according to one of his rehearsal pianists, and conflicted about his skills, homosexuality, and Jewish roots. Born Jerome Wilson Rabinowitz—he changed his name at the urging of a ballet teacher—to a “rarely affectionate” father and “forceful” mother, he possessed perfect pitch and an excellent sense of rhythm. He could “move naturally and expressively.” A stint at Camp Tamiment in the Catskills confirmed his first love, choreography. Throughout, Lesser focuses on Robbins as a “narrative artist,” perhaps one of the century’s “most powerful exemplars.” George Balanchine cast him in a musical in 1938, and Robbins soon began working with Leonard Bernstein. In 1951, he joined up with Richard Rogers and Oscar Hammerstein II on The King and I and developed a new style of dance, a “fusion between Eastern and Western modes.” A low point in his career came in 1953, when he named names for the House Un-American Activities Committee, something he later deeply regretted. The hits kept coming: Peter Pan, an “amazing achievement,” Gypsy, Fiddler on the Roof, and, with now close friend Bernstein, West Side Story, where he worked with a young Stephen Sondheim, who called Robbins the “only genius I’ve ever met.” As Lesser concludes, his “influence lives on even where his name may not.”
A breezy and inviting biography from a self-described “zealot.”Pub Date: Oct. 9, 2018
ISBN: 978-0-300-19759-4
Page Count: 216
Publisher: Yale Univ.
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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