by Wenguang Huang ‧ RELEASE DATE: April 26, 2012
A trenchantly observed story that depicts the clash of traditional and modern Chinese culture with a powerful combination of...
Writer and translator Wenguang Huang's candid memoir about growing up in the turbulent aftermath of the Chinese Cultural Revolution.
In 1973, Mao's ruthless political campaign sought to bring an end to all “decadent” traditional practices. But the author would remember the year for a different reason—it was a time when his 71-year-old grandmother “became obsessed with death.” Afraid that she would be cremated and rendered unable to reunite with her dead husband in the afterlife, she made her son, Wenguang Huang's father, promise that he would give her a traditional burial. Her son agreed and built a coffin, knowing that if he was discovered, the Communist Party would punish him and his family for disobedience. He made the author the official "coffin keeper.” For the next nine years, he dutifully slept near what the family would refer to as Grandma's “longevity wood.” In the end, the coffin really did become a kind of longevity talisman because the grandmother would live to be 87. Throughout the 16 years leading up to her death, the family often became embroiled in bitter battles over how they would inter the grandmother, who demanded a traditional Chinese burial next to her husband, whose grave was far from the family home. The one family member who suffered the most was the author’s father, who passed away a year before his mother. A “filial son,” he had made his mother's obsession his own, to the point where it “sucked him dry until there was nothing left but his own corpse.”
A trenchantly observed story that depicts the clash of traditional and modern Chinese culture with a powerful combination of sensitivity and mordant irony.Pub Date: April 26, 2012
ISBN: 978-1-59448-829-0
Page Count: 272
Publisher: Riverhead
Review Posted Online: March 17, 2012
Kirkus Reviews Issue: April 1, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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