by Whitney Otto ‧ RELEASE DATE: March 12, 2002
Beautifully conceived and executed: a small gem.
As elaborate as origami, this elegant fourth from Otto (The Passion Dream Book, 1997, etc.) follows the lives of San Franciscans in search of love and pleasure.
Filled with unusual elements—reproductions of Japanese wood blocks, photos of Duchamp’s work, an Elizabeth Bishop poem, a brief history of Vermeer’s women and their letters—the story could have fallen victim to its collection of esoterica but instead is elevated to a sort of quiet chant or meditation on people living the accidental life. In a book thematically inspired by 17th-century Japan’s “floating worlds” (pleasure zones focusing on the world’s momentary, usually sensual, delights), the large cast of characters are floating in life, living for the moment in the most transient of cities. They all intersect at the Youki Singe Tea Room, where Elodie keeps a pillow book (a Japanese journal of observations) on the developments of their lives, with the rundown teahouse serving as host to their unfolding stories. Charming Ray, a drug dealer by trade, and his girlfriend Gracie (and their friends, who eventually show up in chapters of their own) party-hop, ending up in equal parts stoned, disillusioned, and in awe under the massive columns of the Palace of Fine Arts. Nash the artist falls in love with Suzanne, first attracted and then repelled by the intentional emptiness (a cardboard box serves as her dining table) of her domestic life. The beautiful and mysterious Jelly roams aimlessly through the novel until she falls in love with an Iranian boy (after a brief tryst she sends him pictures of herself in places all over San Francisco) who in turn falls in love with a transvestite. The conclusion returns to Elodie, who when house-sitting for strangers (people tied to her in ways she doesn’t know) finds an adulterous love letter in the homeowner’s overcoat, an appropriate end to this collection of vignettes celebrating the ephemeral.
Beautifully conceived and executed: a small gem.Pub Date: March 12, 2002
ISBN: 0-375-50545-8
Page Count: 256
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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