Smith's 23rd doorstopper—nearly all of them about South Africa (Elephant Song, Golden Fox, etc.)—gallops swiftly through the action and flying blood his fans have come to relish, though for the first time Smith sets his story in Egypt 2,000 years before Christ. Readers hoping for descriptive riches on the order of Norman Mailer's Ancient Evenings will quickly find their hopes flattened by the banal style and fountaining clichÇs here, which give only a faint sense of the domestic particulars of daily life in those days, and will haave to satisfy themselves with Smith's sheer storytelling. At the start, Smith's narrator is the 30-year-old eunuch Taita, chief slave of Lostris, the 14-year-old daughter of Lord Intef. Lostris's breasts are ``the size and shape of ripe figs just ready for plucking, and tipped with rose garnets,'' while she has ``the neatest, tightest pair of buttocks in all Egypt.'' Lostris is beloved of young warrior Tanus, whose bow is so stiff only he can draw it and then loose three arrows before the first has landed. These matters once in place, the story will spread over three decades, during which Taita, Tanus, and Lostris put up with the machinations of her father, My Lord Intef, who is Grand Vizier; Lostris marries the Pharaoh; Tanus becomes supreme commander of the armies and battles the Hyksos invaders; he and Lostris have a moment of madness in the tombs of Tras as Tanus sires Memnon; the Pharaoh dies in battle, Lostris becomes queen, Tanus loses a major battle against the Hyksos and then his life to the magical blue sword that can pierce any soft bronze sword or shield; Memnon becomes pharaoh and Lostris dies. Brightly colored, sweeping escapism. (First printing of 150,000)
Pub Date: March 1, 1994
ISBN: 0-312-10612-2
Page Count: 544
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1993
A landmark work of speculative fiction, comparable to A Clockwork Orange, Brave New World, and Russian revolutionary...
Environmental unconcern, genetic engineering, and bioterrorism have created the hollowed-out, haunted future world of Atwood’s ingenious and disturbing 11th novel, bearing several resemblances to The Handmaid’s Tale (1985).
Protagonist Jimmy, a.k.a. “Snowman,” is perhaps the only living “remnant” (i.e., human unaltered by science) in a devastated lunar landscape where he lives by his remaining wits, scavenges for flotsam surviving from past civilizations, dodges man-eating mutant predators, and remembers. In an equally dark parallel narrative, Atwood traces Jimmy’s personal history, beginning with a bonfire in which diseased livestock are incinerated, observed by five-year-old Jimmy and his father, a “genographer” employed by, first, OrganInc Farms, then, the sinister Helthwyzer Corporation. One staggering invention follows another, as Jimmy mourns the departure of his mother (a former microbiologist who clearly foresaw the Armageddon her colleagues were building), goes through intensive schooling with his brilliant best friend Glenn (who renames himself Crake), and enjoys such lurid titillations as computer games that simulate catastrophe and global conflict (e.g., “Extinctathon,” “Kwiktime Osama”) and Web sites featuring popular atrocities (e.g., “hedsoff.com”). Surfing a kiddie-porn site, Jimmy encounters the poignant figure of Oryx, a Southeast Asian girl apprenticed (i.e., sold) to a con-man, then a sex-seller (in sequences as scary and revolting as anything in contemporary fiction). Oryx will inhabit Jimmy’s imagination forever, as will the perverse genius Crake, who rises from the prestigious Watson-Crick Institute to a position of literally awesome power at the RejoovenEsense Compound, where he works on a formula for immortality, creates artificial humans (the “Children of Crake”), and helps produce the virus that’s pirated and used to start a plague that effectively decimates the world’s population. And Atwood (The Blind Assassin, 2000, etc.) brings it all together in a stunning surprise climax.
A landmark work of speculative fiction, comparable to A Clockwork Orange, Brave New World, and Russian revolutionary Zamyatin’s We. Atwood has surpassed herself.Pub Date: May 6, 2003
ISBN: 0-385-50385-7
Page Count: 400
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
More of a detour than a natural progression for the author, whose fans will nevertheless find this as engaging as it is...
One of America’s finest fiction writers returns with an audaciously allegorical novella about sleep deprivation in an age of sensory overload.
As a recipient of a MacArthur Fellowship and the author of a critically acclaimed novel (Vampires in the Lemon Grove, 2013, etc.) and two story collections, Russell seems to be having some fun here, using the novella form and e-book format to put creative ingenuity to Orwellian use. The year is sometime in the near future, when the omnipresence of communication and connecting devices, the 24-hour news cycle and other sources of overstimulation have turned insomnia into an epidemic, even a plague. Sleep donors (like blood or plasma donors) can be a godsend for those suffering, particularly if those donors sleep undisturbed, without nightmares, like a baby. In this novella, Baby A is the ultimate donor, the silver bullet, the one whose sleep has universal benefits. (Other donors need to be more closely matched, as with blood types.) Our narrator, Trish, has recruited Baby A through the child’s parents and effectively sells the donor program to them by invoking the death of her own sister due to sleep deprivation. But the demands on Baby A eventually frustrate her father—a more reluctant participant than his wife—and he feels more concerned with what Baby A might suffer than with the benefits for society at large. At the other extreme from Baby A is Donor Y, whose nightmare-infected donation (an act of terrorism? an accident?) ultimately causes an international crisis, with many preferring the suicide of sleeplessness to a sleep that returns them to this nightmare. As the plot progresses, Trish feels that both she and Baby A have perhaps been equally exploited. Those who appreciate Russell’s literary alchemy might find this a little too close to science fiction, but it serves as a parable on a number of levels for a world that is recognizably our own.
More of a detour than a natural progression for the author, whose fans will nevertheless find this as engaging as it is provocative.Pub Date: March 25, 2014
ISBN: 978-1-937894-28-3
Page Count: 101
Publisher: Atavist Books
Review Posted Online: Feb. 5, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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