An entertaining, well-researched work that will particularly interest students of cultural history and the French Revolution.
A scholarly debut biography that looks at the French Revolution through the eyes of the queen’s hairdresser and confidant.
When Léonard Autié first arrived as a young man in Paris in 1769, he was so short on money that he walked the last 120 miles on foot. His possessions consisted of little more than a few coins, a tortoiseshell comb and “an ample supply of confidence.” Ten years later, after he created the famous “pouf” hairstyle, he was the hairdresser to the queen of France. A decade after that, during the revolution, Autié “took on the dangerous role of messenger and secret liaison between the royal family and their supporters.” Later, forced into exile and financially ruined, he spent a lengthy sojourn in Russia, where he worked as hairdresser to the nobility (and even arranged the hair of Czar Paul I’s corpse). He was eventually allowed to return to Paris in 1814, and he died there six years later. Bashor draws on contemporary accounts and letters and particularly Autié’s ghostwritten memoir, purportedly based on his journals and published 18 years after his death. The author notes that the latter source’s dialogue is unverifiable (although he cross-checks it with contemporary sources whenever possible) and that Autié was given to boasting and exaggeration. Fortunately, however, Bashor liberally quotes from the Souvenirs de Léonard, giving his own account a gossipy, entertaining directness, similar to a historical novel. (He also includes a bibliography, endnotes and an index.) Autié’s perspective highlights just how out of touch and frivolous the aristocrats were; for example, when he brings news to Versailles of the fall of the Bastille, he finds the court ladies “oblivious” and “clamoring for his services.” Bashor doesn’t clearly explain the specifics of hair powdering and wig making or how Autié arranged his fantastic poufs (although he does include illustrations), but his depiction of Autié’s fascinating fly-on-the-wall role as confidant to doomed royalty makes up for it. Overall, he delivers an informative examination of a little-known player on a great stage.
An entertaining, well-researched work that will particularly interest students of cultural history and the French Revolution.Pub Date: Oct. 16, 2013
ISBN: 978-0762791538
Page Count: 320
Publisher: Lyons Press
Review Posted Online: Dec. 9, 2013
Kirkus Reviews Issue: Jan. 1, 2014
Review Program: Kirkus Indie
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However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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SEEN & HEARD
A welcome addition to the literature on immigration told by an author who understands the issue like few others.
The debut book from “one of the first undocumented immigrants to graduate from Harvard.”
In addition to delivering memorable portraits of undocumented immigrants residing precariously on Staten Island and in Miami, Cleveland, Flint, and New Haven, Cornejo Villavicencio, now enrolled in the American Studies doctorate program at Yale, shares her own Ecuadorian family story (she came to the U.S. at age 5) and her anger at the exploitation of hardworking immigrants in the U.S. Because the author fully comprehends the perils of undocumented immigrants speaking to journalist, she wisely built trust slowly with her subjects. Her own undocumented status helped the cause, as did her Spanish fluency. Still, she protects those who talked to her by changing their names and other personal information. Consequently, readers must trust implicitly that the author doesn’t invent or embellish. But as she notes, “this book is not a traditional nonfiction book….I took notes by hand during interviews and after the book was finished, I destroyed those notes.” Recounting her travels to the sites where undocumented women, men, and children struggle to live above the poverty line, she reports her findings in compelling, often heart-wrenching vignettes. Cornejo Villavicencio clearly shows how employers often cheat day laborers out of hard-earned wages, and policymakers and law enforcement agents exist primarily to harm rather than assist immigrants who look and speak differently. Often, cruelty arrives not only in economic terms, but also via verbal slurs and even violence. Throughout the narrative, the author explores her own psychological struggles, including her relationships with her parents, who are considered “illegal” in the nation where they have worked hard and tried to become model residents. In some of the most deeply revealing passages, Cornejo Villavicencio chronicles her struggles reconciling her desire to help undocumented children with the knowledge that she does not want "kids of my own." Ultimately, the author’s candor about herself removes worries about the credibility of her stories.
A welcome addition to the literature on immigration told by an author who understands the issue like few others.Pub Date: May 19, 2020
ISBN: 978-0-399-59268-3
Page Count: 208
Publisher: One World/Random House
Review Posted Online: Jan. 14, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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