An engrossing, fully dimensional portrait of an influential yet elusive performer.
The mercurial life and career of the singularly talented rock artist Lou Reed (1942-2013).
In the decade following his death, Reed’s legacy has generated considerable attention, fueling further interest and debate about this legendary performer’s artistic stature. In addition to Anthony DeCurtis’ recent biography, Todd Haynes’ acclaimed 2021 documentary on the Velvet Underground introduced Reed to younger audiences. Rolling Stone contributor Hermes, author of Love Goes to Buildings on Fire, covers a good amount of familiar territory. He traces Reed’s early writing and musical roots, from his performing in high school bands on Long Island to studying poetry at Syracuse with early mentor Delmore Schwartz to his formation of the Velvet Underground in 1965 with John Cale, Sterling Morrison, and Angus MacLise. With Reed serving as the band’s principal songwriter, singer, and guitarist, they caught the attention of Andy Warhol, who for two years would become their manager. Reed quit the band in 1970 and launched a successful solo career, continuing for several decades. Hermes shrewdly probes Reed’s complex personal and professional life and his frequently erratic behavior; his struggles with mental illness and depression; drug and alcohol abuse; intimate relationships with women and men and his self-identifying queer or nonbinary sexuality; partnerships with David Bowie, Warhol, and Laurie Anderson; and his influence on performers including Patti Smith and the Talking Heads. The author interviewed many of Reed’s closest friends and relations and, unlike previous biographers, accessed the New York Public Library’s recently acquired Reed archives. Hermes’ strength is in identifying and articulating the transformational brilliance of Reed’s songwriting and performances within the context of the 1960s and ’70s music scene. Reverent about his artistry, he’s also discerningly cognizant of Reed’s temperamental shortcomings. “Tales of his rudeness were legion,” writes the author, and he had “a privileged celebrity’s sense of entitlement. Reed craved the freedom of anonymity, but still wanted his perks.”
An engrossing, fully dimensional portrait of an influential yet elusive performer.Pub Date: Oct. 3, 2023
ISBN: 9780374193393
Page Count: 560
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 31, 2023
Kirkus Reviews Issue: July 1, 2023
BOOK REVIEW
PERSPECTIVES
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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