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ALEXANDER HAMILTON

A LIFE

A sturdy and readable life, in company with Randall’s other portraits of the Revolutionary generation.

A revealing but measured biography of the younger Founding Father, who, to the horror of libertarians ever since, “[drew] up a blueprint for a relationship between government and money.”

Who was right about America—Jefferson or Hamilton? Such, writes Randall (Humanities/ Champlain Coll., Vermont; co-author, Forgotten Americans, 1998, etc.), was the single question leveled at him at a meeting of the American Revolution Round Table a few years back. “The hour was late,” he writes, “my answer brief: Jefferson for the eighteenth century, Hamilton for more modern times.” He capably defends his judgment in this well-written life of Hamilton (1755–1804), who mixed Clintonesque appetites for pleasure and policy-wonking while busily putting the new republic’s economy on a sound footing. Hamilton’s life was wreathed in legend even in his time; more or less adopted by George Washington, he also had a talent for acquiring powerful enemies who made every effort to discredit the young man as a bastard, a closet royalist, and an enemy of democracy. Randall defends his subject on all counts; to be sure, he notes, Hamilton’s parents were not technically married, but “they lived as husband and wife for fifteen years,” which was good enough in the eyes of English common law; to be sure, he carried himself with the air of an aristocrat, but Hamilton was no fan of the Hanoverian kings, and if he showed unusual clemency to captured Loyalists, he remained a devoted soldier of the Continental Army all the same, ardently espousing the cause of liberty. Unlike more idealistic revolutionaries, however, Hamilton believed that the chief role of government was to subdue the passions of the people, who “are inherently corrupted by lust for power and greed for property,” which put him square up against the Jeffersonian camp and, in time, in the sights of Aaron Burr’s pistol. But before he fell, Hamilton crafted several institutions—among them the national bank and the germ of the IRS—that prove him a modern man indeed, for better or worse.

A sturdy and readable life, in company with Randall’s other portraits of the Revolutionary generation.

Pub Date: Jan. 10, 2003

ISBN: 0-06-019549-5

Page Count: 480

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2002

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A TALE OF LOVE AND DARKNESS

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.

“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

Pub Date: Nov. 15, 2004

ISBN: 0-15-100878-7

Page Count: 544

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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